John Lee Hancock's new film The Highwaymen is a dangerous project. One must give credit to the director for having taking it up, despite knowing its attempt to straighten the record would go against a well-established cultural notion - that of the Robin Hood-esque fame notorious outlaws Bonnie Elizabeth Parker and Clyde Chestnut Barrow (popularly known as Bonnie and Clyde) had attained in Depression-era America.
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