Saturday, April 30, 2022

Tarsame Singh Saini aka Taz from Stereo Nation passes away at 54; Shalin Bhanot pens emotional note for the singer

London-based Indian singer Tarsame Singh Saini, popularly known as Taz, passed away on April 29 at the age of 54. Known for songs like Nachenge Saari Raat, Pyar Ho Gaya and many others, Taz also crooned Bollywood songs like Its' magic from Koi Mil Gaya, Mujhpe To Jadoo from Race and Gallan Goriyan from Batla House. As per the reports, the singer succumbed to liver failure.

While many personalities from the music industry have mourned the untimely demise of Taz, popular television actor Shalin Bhanot, who featured with the singer in a music video, penned an emotional note on Instagram.

Sharing the clip of the music video, Shalin wrote, "Heartbroken  R.I.P Brother The man who made me sing. @tazstereonation I will always cherish the time we spent together. All the craziness that we did and when you told me to sing your song. I will never forget all those moments. It was wonderful working with you bro and I am glad I had the opportunity to do so. Thanks for everything. See you on the other side brother." 

Popular filmmaker Gurinder Chadha shared a throwback picture with Taz and wrote, "Heartbroken to hear that a pioneer of the British Asian music scene has just left us. You cannot underestimate my excitement on first hearing #HitTheDeck. By #jonnyZee then ⁦‪@tazstereonation‬⁩ pure Br’Asian pop fusion. for all the joy you gave me Taz. God Bless you @tazstereonation."

RIP.

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Rajasthan Royals to wear special ‘SW23' jersey as tribute to Shane Warne

Rajasthan Royals will pay their tribute to former player and coach Shane Warne during the fixture against Mumbai Indians on Saturday (30 April). Warne, legendary Australian spinner, died of suspected heart attack at the Thai resort of Koh Samui last month. He was 52.

Showcasing the jerseys on social media, Rajasthan Royals players were seen with a special “SW23” on their collars.

Rajasthan Royals players will wear special jerseys as tribute to Shane Warne. Image: Rajasthan Royals

A special area at the DY Patil Stadium, venue for RR vs MI, has been turned into a Warne Tribute Gallery, which all the ticket-holding fans will be able to visit and experience.

Warne had lifted the inaugural IPL trophy after the Royals beat Chennai Super Kings by three wickets in the final in 2008. The tribute is timed to coincide with the team's triumph exactly 14 years back.

Couple of days back, Royals had said Warne's brother, Jason will also be part of the celebration as he has accepted an invitation from the Jaipur-based side.

"It is befitting that the same stadium where Warne lifted the IPL trophy will see the cricketing world come together to pay their respects and celebrate his life," the franchise said in a press release.

"The franchise would like to iterate that it will not be an occasion to mourn, but to commemorate the great man, and salute him for his never-ending contribution to the game of cricket as well as impacting thousands of lives around the world through his words, energy, and actions both on and off the field."

"The Royals have also reached out to the Batch of 2008 and are appreciative of everyone who has sent in their tributes for the greatest leg-spinner of all time. These tributes will be made available on the matchday on Rajasthan Royals' social media."

Warne took 708 wickets from 145 Tests, besides 293 ODI wickets from 194 matches between 1992 and 2007.

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Kangana Ranaut calls Karan Johar 'fading 90s director', compares Amazon Prime Video-Netflix content strategy

Apart from her impeccable performances, Bollywood actress Kangana Ranaut often grab our attention with her bold and controversial statements. The Manikarnika star, who recently announced that her maiden production Tiku Weds Sheru will premiere on Amazon Prime Video, took a jibe at Netflix and Karan Johar.

Hinting at KJo’s recent party, which he hosted for Netflix’s Global Head of TV, Bela Bajaria, Kangana wrote on her Insta-story, “Data suggests that Amazon Prime Video is doing way better than Netflix in India maybe because they are much more open minded and democratic, when international head visits India they don’t park themselves at a fading 90s director’s infamous party but meet everyone who is contributing to them… Last I heard Netflix head was not able to understand Indian market… Well Indian market is not just one b***hy gossipy nineties director…. There are hundreds of talented people here."

The guestlist of Karan Johar's star-studded party included Shah Rukh Khan, Ranveer Singh, Alia Bhatt, Sara Ali Khan, Kriti Sanon, Madhuri Dixit, Farhan Akhtar, Shibani Dandekar Manish Malhotra, Shashank Khaitan and Siddharth Roy Kapur.

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Tata IPL 2022 GT vs RCB Live Cricket Score and Update: Virat Kohli's form in focus

14:43 (IST)

The Gujarat Titans have shown nerves of steel and have stolen away wins in close encounters.

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Virat Kohli's form has become a major concern for RCB. The right-hander has failed to leave a mark in the recent outings. 

14:23 (IST)

Gujarat Titans are sitting at the helm of the points table with 7 wins in 8 matches so far in the competition. Meanwhile, RCB have certainly lost their way after suffering defeats in the recent games. 

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Hello and welcome to the coverage of the 43rd match of IPL 2022 between Gujarat Titans and Royal Challengers Bangalore at Brabourne Stadium in Mumbai. Match starts at 3.30 PM IST with the toss taking place at 3 PM. Follow this space for live scores and updates.


Gujarat Titans vs Royal Challengers Bangalore live score streaming, IPL 2022: Hello and welcome to the coverage of the 43rd match of IPL 2022 between Gujarat Titans and Royal Challengers Bangalore at Brabourne Stadium in Mumbai. Match starts at 3.30 PM IST with the toss taking place at 3 PM. Follow this space for live scores and updates.

PREVIEW: Royal Challengers Bangalore will be looking to shrug off their recent defeats when they lock horns with Gujarat Titans for the first time in this season of the Indian Premier League.

Coming into this match, Gujarat Titans are at the top of the points table with seven wins and one loss while the Royal Challengers Bangalore are fifth with five wins and four losses.

Royal Challengers Bangalore are fifth in the IPL 2022 table. Sportzpics

Wriddhiman Saha was superb for the Gujarat Titans in the last match and now they would want the likes of Shubman Gill and Hardik Pandya to make vital contributions.

On the other hand, the Royal Challengers Bangalore have not had the expected results from their top order. Virat Kohli needs to score runs and captain Faf du Plessis has to rekindle some of the form he had shown earlier in the tournament.

When will the Gujarat Titans and Royal Challengers Bangalore match be played?

The GT vs RCB IPL 2022 match will take place on 30 April.

Where will the Gujarat Titans and Royal Challengers Bangalore match be held?

The GT vs RCB IPL 2022 match will be held at Mumbai’s Brabourne Stadium.

What time will the Gujarat Titans and Royal Challengers Bangalore match start?

The GT vs RCB IPL 2022 match will begin from 3:30 pm onwards. The toss will be held at 3 pm on the same day.

Where can you watch GT vs RCB IPL 2022 match on TV and online?

The GT vs RCB IPL 2022 match will be broadcast live on Star Sports Network channels — Star Sports 1 HD, Star Sports Select 1, Star Sports Select 1 HD (Dugout) and Star Sports 1. The GT vs RCB match will also be streamed live on Disney+ Hotstar.

You can also follow firstpost.com to check out the live scores and commentary of the GT vs RCB IPL 2022 match.

Complete Squads:

Gujarat Titans: Hardik Pandya (c), Abhinav Manohar, David Miller, Gurkeerat Singh, B Sai Sudarshan, Shubman Gill, Rahul Tewatia, Vijay Shankar, Matthew Wade, Mohammed Shami, Rahmanullah Gurbaz, Wriddhiman Saha, Alzarri Joseph, Darshan Nalkande, Dominic Drakes, Jayant Yadav, Lockie Ferguson, Noor Ahmad, Pradeep Sangwan, Rashid Khan, Ravisrinivasan Sai Kishore, Varun Aaron, Yash Dayal

Royal Challengers Bangalore: Faf du Plessis (c), Virat Kohli, Glenn Maxwell, Mohammed Siraj, Harshal Patel, Wanindu Hasaranga, Dinesh Karthik, Josh Hazlewood, Shahbaz Ahmed, Akash Deep,Sherfane Rutherford, Mahipal Lomror, Finn Allen, Jason Behrendorff, Suyash Prabhudesai, Chama Milind, Anuj Rawat, Aneeshwar Gautam, Karn Sharma, David Willey, Rajat Patidar, Siddharth Kaul

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'You almost broke my leg': Shoaib Akhtar and AB de Villiers' hilarious banter will make your day

During the prime of his cricketing career, Pakistani legend Shoaib Akhtar was known for delivering fire on the pitch. He recorded the fastest delivery (161 kmph) in the history of international cricket during his career. Recently, it was his quickfire banter with former South African batter AB de Villiers that grabbed eyeballs across Twitter.

The legendary duo recalled the good old days of sharing the same pitch in international cricket and got into a hilarious chat regarding Shoaib Akhtar’s pace.

It all started after Australian legend Shane Watson shared a video on his own birthday to mark the milestone of Akhtar breaching the 100-mile barrier for the first time. The two-decade-old clip was from a One Day International between Pakistan and Australia where Shane Watson faced a 100-mile bouncer against Akhtar. De Villiers was quick to spot the Twitter thread and praised the Rawalpindi Express, replying that the deliveries from Akhter still give him nightmares.

Akhtar asserted that de Villiers himself has been responsible for producing nightmares with his bat for many bowlers around the globe. The banter continued, with Mr 360 posting another message about a hilarious incident from his early career, when Shoaib Akhtar almost broke his leg after getting smashed with a six.  

Then the fast-bowling supremo reposted an archive video where de Villiers got bowled out while attempting a pull shot against Akhtar. The delivery got the inside edge of the willow and scalped the middle stump. Akhtar humorously captioned the video saying, “not every pull went for a six though”.

Soon, the interaction of the legends went viral on social media, making crickets fans nostalgic

On 27 April 2002, Shoaib Akhtar engraved his name in the history books by breaching the 100-mile barrier for the first time during an ODI against New Zealand in Lahore. However, ICC later refused to consider the record due to some fault in the speedometer. In the 2003 World Cup, Akhtar stunned the world after bowling the fastest delivery at 100.2 mph (161.3 kmph) during a Group league match against England at Newlands Stadium in Cape Town.

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Bigg Boss 13 fame Shehnaaz Gill to make her Bollywood debut with Salman Khan's Kabhi Eid Kabhi Diwali

Punjabi actress and singer Shehnaaz Kaur Gill, who garnered popularity for her stint in Bigg Boss 13, is set to make her big Bollywood debut in Salman Khan starrer Kabhi Eid Kabhi Diwali. As per the reports, the actress will be seen opposite Aayush Sharma in the Farhad Samji directorial. Produced by Sajid Nadiadwala under his banner Nadiadwala Grandson Entertainment, the film also stars Zaheer Iqbal and Pooja Hegde in pivotal roles. The film is set to hit the screen on December 30.

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Friday, April 29, 2022

Shining Girls review: It’s impossible to take your eyes off Elisabeth Moss in Apple TV's riveting crime series

Language: English

Is there anything Elisabeth Moss can’t do? If you’re sitting through eight episodes of Shining Girls, a time-traveling crime series about a violent serial killer terrorizing young women, the answer is clear: it’s Elisabeth Moss’s world and we’re just living in it. The actor, stars, executive produces, and directs episodes of the Apple TV+ series — adapted from Lauren Beukes’ 2013 bestselling novel — with a sobering intensity delivering in effect, a performance so calculated in its emotional fragility that it rankles. (The remaining directorial duties are divided between Michelle MacLaren and Daina Reid.)

Created by Silka Luisa, the TV adaptation admirably deviates from the source material. If the book laid bare the devastation of violence from the perspective of a deranged killer, then the show trains its gaze on using time as a device to expand on how one man’s violent tendencies imprint on the realities of women across generations. Sure, that complicates the storyline but then again, is Moss ever not up for a challenge? The result is a show that is bold enough to eschew convention and still remain compelling enough to be punishing.

Shining_Girls_Photo

When we first meet Kirby Mazrachi (Moss), it’s 1992 — she’s a meek research assistant at Chicago Sun-Times who keeps forgetting her own identity. Realities keep shifting for Kirby: at one point, we see her share an apartment with her punk-rocker mom (Amy Brenneman) and a cat. And then another day, she comes home to a husband (Chris Chalk) she remembers only as a colleague. Her home is now on a different floor of the same building and she turns out to be the owner of a dog. By then, it’s evident that Kirby, like her memory, is unreliable but Shining Girls doesn’t immediately explain the twist, choosing to disorient viewers by putting them in Kirby’s head so as to feel the full force of her fractured consciousness.

Then, the pieces start falling together: six years earlier, Kirby — on her way to become a star reporter — was brutally assaulted by a vicious assailant who left her for dead and was never caught. The attack turned Kirby into an open wound — soon after she regained consciousness, Kirby began experiencing unexplainable shifts in her reality. It starts off little — a slight difference in haircut or the realisation that her desk at work was never really hers — before escalating into full-blown hysteria like having to remember a life with a husband she doesn’t recognise. The changes in the pieces of her life leave Kirby with no other option but to keep a journal to note down the facts about her existence. But it barely helps. As her realities keep shifting, Kirby withdraws into herself, perennially feeling misled and confused. After all, it’s not only her memory that betrays her; it’s also her mind.

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But when a murder takes place that matches Kirby’s assault — the perpetrator leaves objects in the bodies of his young victims — she is forced to confront her trauma head on. She teams up with strung-out reporter Dan Velazque (a magnetic Wagner Moura) to hunt for the attacker before he finds his next kill. As Kirby and Dan uncover connections between victims when bodies start stacking up, the killings seem more and more impossible. For one, the timeline can’t possibly make sense: when the duo investigate the murder of a woman in 1972, they discover a locker key from 1992 in her possession. Could they potentially be on the hunt for a serial killer who remains untraceable because of his superheroic abilities to shift between timelines?

The proceedings of Shining Girls are never in a hurry to dispense that answer even when they remain generous with clues. The first four episodes of the series for instance, make for assured storytelling: the show moves slowly, never quite sacrificing the severity of its themes or abruptly escalating it in favour of melodramatic high points. Even though the suspense builds only at midpoint, the first four episodes build the mystery of Kirby’s mutating world with a terrifying restraint that shows more than it tells. The makers wield visual flair as a constant weapon, eschewing explanations and gruesome depictions of violence.

As a show that’s effectively a dead girl mystery, Shining Girls admirably manages to sidetraps the cliches that abound the genre.

This is not the kind of show that plots its journey between damage and catharsis, making it that much more ingenious. By using oppressive pasts as a foundation to leap into the traumas of the present, Shining Girls tackles bold ideas: the hold that aggressors continue to hold on their victims long after their acts of violence have been committed and the distance between trauma and renewal. The narrative leaps of the show are matched by the technical specificity: the 90s period setting is attentively recreated and the magnetic direction work effectively demonstrates the unsteadiness that define Kirby’s existence. Even the construction is attentive: the decision to show the killer’s perspective well before Dan and Kirby realise the method to his madness, nicely contrasts with the inherent minimalism of the proceedings. The teases are as rewarding.

Still, the show’s complexity would feel gimmicky if it wasn’t held together by the strength of its lead performance. Even though Moss technically plays one role, she delivers what is effectively a collection of performances, all calibrated with single-minded precision. As Kirby, Moss occupies two different spectrums — her turn acknowledges Kirby’s shakiness but also underlines her search for some stability. The actor is both furious and fragile, relaying Kirby’s dilemma so convincingly that it ends up becoming chilling. Rarely can an actor convey so much anguish by doing so little. But then again, Moss isn’t just any actor. To a large extent, that’s precisely the point of Shining Girls: rarely can actors shine as bright as Elisabeth Moss.

Shining Girls is streaming on Apple TV+

Poulomi Das is a film and culture writer, critic, and programmer. Follow more of her writing on Twitter.

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Happy Birthday Andre Russell: Five times when the power-hitter created a storm in IPL

West Indian all-rounder Andre Russell has turned out to be one of the most sought-after talents in the T20 format. The lower-order batter has proved to be a game-changer on multiple times both in international and franchise cricket.

Andre Russell has hit 165 sixes in 93 IPL matches. Sportzpics

Andre Russell made his first international appearance for the West Indies A team in a 50-over contest against Ireland in June 2010. He left a powerful impact in his first international game as he smashed a 34-ball 61 and scalped six wickets giving 42 runs. That performance helped him earn a spot in the 2011 World Cup squad of West Indies. Andre Russell played his ODI debut match for West Indies against Ireland at Mohali during the 2011 World Cup.

As an all-rounder, Andre Russell can decimate the bowing in short bursts. So far, the power hitter produced 1034 runs and bagged 70 wickets playing 56 ODIs so far. He has appeared in 67 T20Is for West Indies and scored a total of 741 runs and got 39 wickets. However, he is famously known for his breathtaking performances in the Indian Premier League.

Andre Russell started his IPL career for the Delhi-based franchise Delhi Daredevils in 2012. In 2014, Kolkata Knight Riders recruited him and since then he has scored some breath-taking innings in the purple and golden jersey. Over the years, Andre Russell has etched his name as one of the best IPL all-rounders of all time. During his IPL journey, Andre Russel has scored 1927 runs and took 82 wickets in his 93 appearances so far.

He has also played for different franchises like Melbourne Stars, Nangarhar Leopards, Colombo Kings, Sydney Thunder, Comilla Warriors, Islamabad United, Nottinghamshire and many more teams in several T20 tournaments around the globe.

A look at Andre Russell’s top 5 IPL performances:

88 runs in 36 balls (KKR vs CSK) in 2018: Andre Russell produced a storm on the field during a clash between Kolkata Knight Riders and Chennai Super Kings in 2008. He registered an unbeaten 88 runs facing 36 deliveries with a strike rate of 244.44. He smashed 11 huge maximums and a single boundary helping KKR to post 202 runs on board.

80 runs in 40 balls (KKR vs MI) in 2019: Andre Russell played a brilliant knock against Mumbai Indians at KKR’s home venue Eden Gardens in 2019. His innings helped KKR to reach a gigantic score of 232. Russell’s innings was laced with six fours and eight sixes.

70 runs in 32 balls (KKR vs PBKS) in 2022: Andre Russell storm hit the Wankhede Stadium in the latest edition of IPL against Punjab Kings. He played a devastating knock of 70 runs to take KKR to the victory line almost singlehandedly. His innings included eight maximums and two boundaries.

65 runs in 25 balls (KKR vs RCB) in 2019: While chasing down 214 runs, Andre Russell posted 65 runs in 25 deliveries hitting nine maximums and two fours with a strike rate of 260.10. However, KKR lost the match by 10 runs in the end.

48 runs in 13 balls (KKR vs RCB) in 2019: Andre Russell blasted 48 runs with a rare strike rate of 369.20 and helped KKR to chase down the target of 206 runs. He was awarded the player of the match title for his significant contribution to KKR’s victory.

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Kuldeep Yadav joins Virat Kohli, Sachin Tendulkar in elite club

Delhi Capitals' new recruit Kuldeep Yadav has been on a roll for his new franchise as the left-arm spinner has been picking wickets consistently. In 8 matches that he has played so far in this edition of the IPL, Kuldeep has scalped 17 wickets including a couple of four-fers.

Interestingly, both of his four-wicket hauls have come against his former franchise Kolkata Knight Riders. While the chinaman bowler returned with figures of 4/35 at Brabourne stadium in the first encounter, he picked four wickets for just 14 runs on Thursday at the Wankhede Stadium.

Kuldeep Yadav returned with figures of 4/14 against KKR. Sportzpics

Owing to his brilliant show against KKR, Yadav was adjudged man of the match and the left-hander joined an elite club which also comprises of the likes of Virat Kohli, Rohit Sharma and Sachin Tendulkar.

Kuldeep has joined the tally of players with the most number of man of the match awards in one single season. He now has four MoM in IPL 2022. Former RCB skipper Virat Kohli leads the chart after he won five MoMs during the 2016 edition. Kohli amassed a total of 973 runs in that season and also notched up four tons.

Tendulkar had won four MoMs during the 2010 season of the Indian Premier League while Ruturaj Gaikwad and Rohit Sharma achieved the feat in 2021 and 2016 seasons respectively. Apart from them Amit Mishra won four MoMs in 2013 and Yusuf Pathan in 2008.

Kuldeep later talked about his bowling and added that he is focusing on bowling in right areas.

"I might have become a better bowler, but I am mentally stronger than before. When you fail in life you pick what you can improve on and that is something I had to improve on. I don't get scared of failing now, " said Kuldeep at the post-match presentation ceremony.

"This is the best IPL season for me. I am enjoying my bowling. I don't think what the batter will do and what if I get hit. My focus has been to bowl the right line and lengths," he further added.

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Watch: Umesh Yadav's brilliant caught and bowled to dismiss Prithvi Shaw for golden duck

Pacer Umesh Yadav pulled off a stunner to give an early success to Kolkata Knight Riders in their encounter against Delhi Capitals on Thursday at the Wankhede Stadium in Mumbai. The right-arm quick again displayed tremendous athleticism to send Prithvi Shaw back to the pavilion for a duck on the very first delivery of the DC innings.

Umesh Yadav has been seen in good form in this latest edition of the Indian Premier League. The Indian veteran pacer is scalping regular wickets and has already proved himself to be a strong contender for the Purple Cap this season. On Thursday, he produced a major blow for the Capitals as he took a splendid diving catch and restricted the in-form opener, Prithvi Shaw, to create any trouble for them. Delhi Capitals promoted all-rounder Mitchel Marsh up in the batting order. He walked in after Shaw was dismissed by Yadav in the first delivery.

In the very first delivery, Yadav bowled a full-length half-volley on the leg stump and insisted Shaw attempt early. The 22-year-old opener tried to flick it through the leg side and finally ended up getting an outside edge. The ball flew a bit away from Yadav but he showed his agility with a full-stretched dive and taking the catch of the match. For a moment Shaw paused at the crease as he couldn’t believe it. Along with Shaw, the crowd in the stadium got stunned after watching the dedication of Yadav and lauded him for making the successful effort. The video of the delivery also got much attention across the internet.

Watch the catch here:

Batting first, KKR put up a 147-run target in front of the Rishabh Pant-led side. Nitish Rana was the top scorer with a valiant 57. Skipper Shreyas Iyer made a useful contribution with a 37-ball 42. Coming to chase, DC suffered an early loss with the dismissal of Shaw. Then David Warner steered the innings composedly and posted a crucial 42 runs playing 26 deliveries. Axar Patel and Rovman Powell in the end led them successfully to the victory line.

No bowler except Umesh Yadav managed to create an impact for KKR. During his four-over spell, Yadav got both of the openers and then also accounted for skipper Rishabh Pant for 24 runs. In the ongoing season, he has already pouched 14 wickets in his 9 appearances so far.

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Sourav Ganguly’s prank kept me awake whole night before India debut: Yuvraj Singh

A nervous 18-year-old Yuvraj Singh was pranked by then Indian captain Sourav Ganguly just before the youngster's India debut in 2000. It made the former Punjab cricketer stay awake the whole night before his first India match.

In a candid conversation on Home of Heroes, Sports18’s newest offering, former India cricketer Yuvraj recalled the prank skipper Ganguly played on him just a night before his debut innings at the 2000 ICC Knockout tournament.

Yuvraj Singh made his India debut under Sourav Ganguly in 2000. AFP

Ganguly asked Yuvraj if he would open in the all-important match the next day.

“Yeah, if you want me to open, I’ll open,” remembered Yuvraj telling his skipper. “Whole night I didn’t sleep.”

On the morning of the match, the captain confessed to pulling a fast one and opened the innings himself. India reached 265 powered by a stroke-filled 84 from Yuvraj.

“I was batting at No. 5, very nervous. But when I went in to bat, focus turned to watching the ball,” recollected Yuvraj who faced the likes of Brett Lee, Glenn McGrath, Jason Gillespie and the trademark Aussie sledging. But the day was meant to be his as he got dropped on 37.

“If I today would’ve scored 37 on my debut against Australia, I would’ve been very happy because of the attack that I was facing,” Yuvraj said.

“Luckily, I went on to score 84, I don’t know how, just watched the ball, hit the ball. It was a very big moment for me, to beat Australia and get the Man-of-the-Match award,” said Yuvraj who remembered the importance of running out Michael Bevan.

India beat the world champions in Nairobi courtesy some sensational contributions from an 18-year-old Yuvraj. After impressive willow-work, Yuvraj was electric in the field and plucked a stunner to send Ian Harvey back. Later, the direct hit to run-out Bevan sealed Australia’s fate.

Home of Heroes will be a no-holds-barred conversation with leading figures in Indian sport. During these interviews, some of India’s leading sportsmen and women will reflect on their life and times as elite athletes and offer their perspectives on the key issues dominating their sport. Free-flowing, candid and intimate, it will invite the viewer to experience their sporting heroes in a new light.

Watch the first part of Yuvraj Singh’s interview on Sports18 tonight, 29 April, at 7:00 PM.

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Never Kiss Your Best Friend review: A decent antidote to the self-serious, gritty content of today's digital world

Language: Hindi

In a scene from the second season of ZEE5’s Never Kiss Your Best Friend (NKYBF), Tanie tells her uncle Bittu “Iss zamane mein khoon se chithiyan nahi likhte”, in a casual yet restrained moment of profound revelation. How love has changed in our films, in our stories. Bittu, played by the ever-so-charming Jaaved Jaaferi happily accepts this feedback but it is telling that a woke rom-com can so easily drop truth bombs about the way Indian audiences have evolved alongside the stories they consume.

In its first season, NKYBF was a breezy, happily messy rom-com that though flawed and elitist in certain areas (set in London being one), aptly served as an escape route from the grit and grime of OTT’s darkest places. In the second season, there are more first-world problems to be solved, but this time the show does what it was always supposed to do – get lost in the unpredictability of relationships. 

In the second season, Tanie, played by the cheerful Anya Singh is deep into her career as a screenwriter at something called Meraki Studio. The show evidently embraces the notion of working with words for a living with more gusto than anything set in India ever could. People run around talking about characters, scripts and arcs - a world mostly restricted to the city of Mumbai. But to make this world accessible, the show is also populated with peppy extroverts and what is probably the most good-looking line-up of writers, editors and filmmakers assembled anywhere in the world. 

Tanie’s ambition clashes with Sumer, the delightfully light-handed Nakuul Mehta, after the two are forced to share an office and a project. It’s a sensitive and perhaps educated portrayal of love cutting across the lines of work and ambition. What makes NKYBF a millennial or a young show perhaps is the cathartic energy that prevents almost everyone from exercising hesitance as a defence mechanism. Meetings quickly boil over into arguments, thoughts are almost always uttered in the fourth gear and the fluidity of gender politics ensures rather pleasingly, that everyone gets to have a say. It’s the kind of show that renders some obvious conflicts obsolete as if this is the utopia everyone is trying to build towards.

Never-Kiss-Your-Best-Friend-S2-Karan-Wahi-1200x

Sarah Jane Dias is believable as the lone woman fronting a media company. Karan Wahi is serviceable as the new handsome writer – with a six-pack of course - on the block, a fantasy most novelists try to import into their work. Everyone else in the series is a bit of a blur because they glow so flawlessly and fall so gracefully, even their crises come across as minor hiccups two spoonful of water would settle. Perhaps that is where the show earns its worth, not by being superior in a technical or performative sense, but by being breezy, maybe even passive through some of its most chastening moments. In the last season, the series tried to grapple with upper-half problems like drugs and grief, but this season it is back to the low-hanging and thus rewarding fruit  – love that mushily unravels between friends.

There is something hearteningly innocent about this show, almost like a 90s dropout having returned without the baggage of that era.
People fall into and out of love, respond not to life’s deep questions but to moments and how these moments make them feel. It’s traditional in some sense, this cross-cutting of wires, friendships, passion and infatuation. And yet in this new language, the lightness of its textures, its hilariously simplistic ideas that feels like the unburdens the narrative of any expectations. Maybe it is crucial here to not have any, go in wanting to get lost in something ordinary, harmless and come away charmed by just how pleasing the simple things can be. Even Tanie’s bits where she breaks the fourth wall to talk to the audience, though dated as a concept, works as a disarming device. It makes Tanie’s novelist-turned-screenwriter struggles compatible with her personal life which has its own ebbs and flows.

Part of what works about NKYBF is perhaps, in a cynical sense, its eye-pleasing glossary of actors. Everyone looks 10 on 10. It’s a world of good-looking people, but most of these people come sans egos or annoying personalities.

Often it’s a casting choice that can backfire unless the writing is strong enough to make a case for perfect faces and cosmetic conflicts – or as is done here, look at the world lightly. Do plausible but ultimately forgettable things. The fact that all these people work in the world of entertainment, kind of affirms their approach to life. Beyond some moments where the elitism really jars, or some side actors who fail to carry themselves, for the most part, the show ably sells the world it is set in. As flashy and elusive it seems, NKYBF’s millennial template is a decent antidote to the self-serious, gritty content of most OTT platforms looking for an audience. It doesn’t do anything incredible or memorable, but just the usual things well.

Never Kiss Your Best Friend is streaming on ZEE5



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Thursday, April 28, 2022

Aamir Khan is finally out with his Kahani- the first song from his movie Laal Singh Chaddha

The video of the superstar boasting about a major Kahani revelation went viral, and now the first song from the film, titled Kahani, has been published by the makers of Laal Singh Chaddha.

Laal Singh Chaddha, Aamir Khan's labour of love, is one of the most anticipated films of the year and will be released in theatres nationally on August 11, 2022.

Aamir Khan Productions is about to bring you another wonderful narrative with Laal Singh Chaddha, starring Aamir Khan, Kareena Kapoor Khan, Mona Singh, and Chaitanya Akkineni, after providing Indian viewers with one cinematic treasure after another. Atul Kulkarni wrote the Indian version of Eric Roth's original screenplay, which is directed by Advait Chandan.

The Laal Singh Chaddha album is created by maestro Pritam, with lyrics by Amitabh Bhattacharya and vocals by Mohan Kannan. The first song, Kahani, eloquently summarises the film and in essence, welcomes the audience to the cinema.

In a game-changing move, Aamir Khan has chosen to release only the audio of the song, rather than the video, in order to focus the audience's attention on the true hero of the track: the music itself and the team that put these elements together.

The actor-producer chose to put the film's musicians and music front and centre in order to emphasise not only the music business as a whole and their efforts, but also to allow spectators to experience these compositions in their purest form, free of images.

Says Aamir Khan, “I truly believe that the songs in Laal Singh Chaddha are the soul of the film and this album has some of my career’s best songs. It was a very intentional decision to put Pritam, Amitabh, the singers and technicians in the spotlight because not only do they deserve to be centre stage but also the music deserves its due credit. I can’t wait to see how audiences react to the music that the team has poured their heart and soul into.”

Says composer Pritam, “Aamir Khan is a hero both onscreen and off it. He understands that music needs to be under the spotlight at times and has allowed it to take centre stage in his films. It's the most fantastic and satisfying experience working with him on his films.”

Bhushan Kumar, MD, T-Series adds, “Aamir Khan is known not only for being a genius actor but for the creative and innovative manner in which he presents and communicates his film to his audiences. This is a revolutionary move for feature film music and we have high hopes for the first song and the entire album of Laal Singh Chaddha.” Adds ‘Kahani’ singer Mohan Mannan,
'Kahani', or the “feather song” as it’s referred to internally, is a beautiful composition by Pritam and is written by the incomparable Amitabh Bhattacharya as soon as I entered Pritam’s studio to sing it, everyone told me just how excited they were about this song and the way it had turned out.

I’m super glad I got to sing it, and can’t wait for everyone to listen to it too. I’ve worked with Pritam and Amitabh many times in the past but never had a chance to sing for an Aamir Khan film, and considering I’m a huge fan of his acting and his movies, this is super exciting for me. I’ve had a chance to interact with him and Advait a few times because of this film, and it’s just made me realise how much thought goes into each part and how they love perfection.

I’m also very kicked about the unique promotional ideas that Aamir Khan productions have come up with, piquing everyone’s curiosity till the release.. and that the release itself is so unique. The songs are going to be available on audio-only formats for a while, so people can listen to them the way they’re meant to be heard, without a visual to add to or distract from the song itself.
I hope everyone loves this song and that I’ve managed to justify the lyrics and composition to the best of my abilities!

Lyricist Amitabh Bhattacharya says, "I have tried my best to encapsulate the soul of the film through the lyrics of this song. It was a beautiful experience and I am so happy that the release of this song is going to be a novel experience for all of us!".

Director Advait Chandan says, "Kahani is my favourite song ever. Every time I felt nervous during a shoot, I would listen to this song. It's the perfect introduction to our film. Dada's melody, Amitabh's lyrics and Mohan's voice transport us directly into the world of Laal Singh Chaddha".

Ajit Andhare, COO Viacom18 Studios adds, "Laal Singh Chaddha is a movie experience like no other attempted so far in India. Right from its inception, it has been an enterprise of authenticity & scale. After many years of making, the dream is now coming to fruition. I am certain that the industry and audiences alike will be enthralled by both the film & what it stands for. The first song launch today reflects the distinctive approach we have taken throughout the making of this film."

Laal Singh Chaddha is produced by Aamir Khan Productions, Kiran Rao and Viacom18 Studios and is all set to release on 11th August 2022 in theatres worldwide.

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Virat Kohli needs to go back to being the free-flowing person that he was: Yuvraj Singh

Yuvraj Singh feels Virat Kohli needs to "become a free-flowing personality" like he was in the past to rediscover his scoring touch.

Kohli, who last scored a hundred in a competitive match in 2019, has been struggling with the bat. The iconic cricketer has succumbed to twin golden ducks in his last three innings.

Virat Kohli has got out on a golden duck twice in last three innings. Sportzpics

Speaking on Home of Heroes, Sports18’s newest offering, Yuvraj said Kohli’s work ethic is four times better than any athlete he has seen in the last 15 years and that will help him to come out of the slump.

“Obviously, he is also not happy, and people aren’t too, because we have seen him setting bigger benchmarks, scoring hundreds after hundreds. But this happens to the best players,” Yuvraj said in the first of two-part interview series.

“Virat needs to become a free-flowing personality again. If he can change himself and be like how he was earlier that will reflect in his game,” Yuvraj added. “He has proved himself to be the best of this era and believes in a strong work ethic and that has brought the best out of him over the years.”

Home of Heroes will be a no-holds-barred conversation with leading figures in Indian sport. During these interviews, some of India’s leading sportsmen and women will reflect on their life and times as elite athletes and offer their perspectives on the key issues dominating their sport. Free-flowing, candid and intimate, it will invite the viewer to experience their sporting heroes in a new light.

Watch the first part of Yuvraj Singh’s interview on Home of Heroes on Sports18 at 7:00 PM on 29 April, 2022. 

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The Mystery of Marilyn Monroe: The Unheard Tapes review-round up: 'Under-researched and marred by tabloid tone'

A new Netflix documentary, The Mystery of Marilyn Monroe: The Unheard Tapes, dives back into the lurid lore surrounding Marilyn Monroe's death in 1962 at age 36.

Directed by Emma Cooper, the documentary is based on Anthony Summers' book Goddess: The Secret Lives of Marilyn Monroe. The documentary showcases recordings, which feature words from members of Monroe’s inner circle, aim to show a new side of Monroe to the one the world is familiar with.

This is not the first time Monroe’s life has been examined. Alongside several documentaries, 2011 film My Week With Marilyn examined Monroe’s life in the middle of her career during the shooting of The Prince and the Showgirl. Based on the diaries of filmmaker Colin Clark, it starred Michelle Williams as Marilyn – a role for which she was nominated for the Academy Award for Best Actress.

In addition, Ana de Armas will play Monroe in the upcoming film Blonde, based on Joyce Carol Oates’s novel about her life.

Check out what critics are talking about the Netflix documentary:

IndieWire:

Despite the teasing promise that Anthony Summers’ bunker full of ancient cassette tapes will offer some rare insight into the life of America’s most self-evident celebrity — and the even more tantalizing hint that they might shine new light on the “mysterious” circumstances of her death — Cooper’s film does no independent research of its own, and therefore can’t possibly offer any tidbits that weren’t first reported in the pages of Goddess.

The Hollywood Reporter:

What saves the doc to some extent is the wealth of fabulous archival material, expertly assembled by editor Gregor Lyon and accompanied by Anne Nikitin’s melancholy score. And of course, there’s Monroe herself, whose magical allure and haunting loneliness transcend even this ham-handed treatment.

Time

I came away from The Mystery of Marilyn feeling not just incredibly sad but also a little dirty. Maybe our collective fascination with her makes us all a little complicit. Maybe I’d just rather not be reminded.

CNN

As well documented as all that was, it's hard to avoid a certain sleaze factor in the telling, and the cheesy reenactments surely don't help.

The Wrap

Though Cooper and Summers touch on conspiracy theories — including the idea that Monroe was, perhaps, murdered for her associations with the Kennedys — no great weight is given to any of them, just minutes on screen. The result is not some great revelation so much as it is a repetition of misery. How much longer will the suffering of Monroe be re-litigated and reaffirmed?

Decider

As a big-boom expose, The Mystery of Marilyn Monroe: The Unheard Tapes whiffs. But as a Monroe biography that lands on a more complete and detailed conclusion, it works. So stream it, but only if you can withstand its tabloid tone.

The Mystery of Marilyn: The Unheard Tapes is streaming on Netflix. 



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Look at Kareena and Taimur chilling by the pool as Saif photobombs their picture

On Monday, Saif Ali Khan and Kareena Kapoor welcomed Soha Ali Khan and her husband Kunal Kemmu, as well as friends Alexandra Galligan and Gorakh Poori, to their Bandra home. Alexandra has now revealed some lovely photos from their stay with the Khans, in which they ate delectable food, relaxed by the pool, and spent time with children Taimur and Jehangir.

Alexandra uploaded a sweet photo of Kareena in their pool-facing dining room with one-year-old Jehangir, often known as Jeh. "An amazing amma #kareenakapoor #kareenakapoorkhan," she captioned it. While sitting in his feeding chair, the actor is seen glancing at her as he stares at the camera.

Another photo shows Kareena, Taimur, and Gorakh Poori relaxing by the pool with some munchies. By the pool, Saif is spotted standing at a distance. The new home of Kareena and Saif has an open swimming pool as well as a terrace.

Another photo shows the males standing for the camera as a group. Standing between Gorakh and Taimur, Saif is dressed in a white tee and red shorts. A bathrobe is worn by the five-year-old. The photo gives a clear view of the actor's pool area from a never-seen-before angle.

 

 

 

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Kareena had previously shared a group photo from the meal she threw at her home on Monday night. Saif, Soha, Kunal, Gorakh, and Alexandra were seated at the dining table. Kareena, Saif, and Taimur had attended a reading session for Kunal and Soha's children's book Inni & Bobo earlier in the day.

Kareena will now star alongside Aamir Khan in Laal Singh Chaddha. The film will be released in theatres on August 11th of this year. Saif also has a few projects in the works, including Hrithik Roshan's Vikram Vedha, and Prabhas and Kriti Sanon's Adipurush.

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Kaathuvaakula Rendu Kaadhal movie review: Samantha, Nayanthara, Vijay Sethupathi deserved better than a love letter to patriarchy

Language: Tamil

Vignesh Shivan's Kaathuvaakula Rendu Kaadhal, starring Vijay Sethupathi, Nayanthara, and Samantha, thinks it is making a strong case for polyamory.

We like day and night. We like biryani and curd rice. We like Ajith and Vijay. As humans, we enjoy and thrive in plurality. When that is the case, why is polyamoury taboo, and why is monogamy the rule?

However, the case the film actually makes is for patriarchy and sexism. Sure, one can have multiple partners if everyone involved knows about it, and agrees to be part of it. But in our society, and by extension Kaathuvaakula Rendu Kaadhal, this is just reserved for the man.

It's not that the film does not realise this. It tries to make feeble arguments to make it politically correct. But you know where its heart lies, and what it is trying to normalise. The film tries so hard, so hard, to make us empathise with Rambo (Vijay Sethupathi) — to gaslight us into thinking he is a 'good' guy, that it is okay for him to love and be with both Kanmani (Nayanthara) and Khatija (Samantha).

But I have a question: Why is this 'offer' never made to the women? Would Rambo have been so 'okay' if Khatija had said that she wants to be with both Rambo and her other toxic boyfriend Mobi? Would we have accepted that film as a 'fun, family entertainer' as well?

Kaathukavaakula Rendu Kaadhal was promoted as an 'experimental' film. After watching, I am wondering if the experiment was to make us go back to the '80s.

Kollywood has a long history with polygamy; it is not as new as Shivan would want us to believe. Rettai Vaal Kuruvi, Veera, Sathileelavathi, Athisaya Piravi — the list is quite long. Kaathuvaakula Rendu Kaadhal wants us to believe it is progressive with just a small change in the climax. Sure, and February has 30 days.

The film has a few nicer moments. The romance even works independently, but they get lost amid the problematic chaff. Kaathuvaakula Rendu Kaadhal ends up being a cautionary tale for women. It normalises, glorifies, and romanticises every patriarchal trope that women are expected to put up with. It shows how even if the man does the bare minimum — help someone out from a tight spot, and be a decent human being — he will be praised for being an saint. However, women need to work very hard for that title. They have to forget all the lies, emotional manipulation, and complete avoidance of any sort of responsibility. Why? Because he is a 'good guy' — come on, he does not hit you, right! What else do you want?

It shows how society pit women against women to ensure the man continues to benefit from the patriarchal privilege. It keeps telling that the man can do nothing wrong. If it happens, it is probably the other woman's fault — that he got fooled. Even if the women do get together, and figure out the man's scheming, manipulative ways, they should and will cling on to him. They will be given umpteen number of reasons to do so — pure love, family, even some extraordinary ones like curses, bad luck etc. They can and never should put their own wishes on the top, because what good woman does that? That can only happen when the woman has solved all of the hero's problems. Most importantly, at no point should they think that they deserve better. As a society, we have conditioned women successfully to believe they should take the absolute minimum without grievances.

But of course, most men who read this review do not really care about all this. So let me answer some of the burning questions they have. Yes, Nayanthara looks gorgeous. Samantha looks sexy. The leading trio truly give really effective performances, and the film looks good. And no, there is no lesbian relationship. Though I would have genuinely paid to watch a love story between Kanmani and Khatija. We would have probably gotten a much better film.

The number three is often used in Kaathuvaakula Rendu Kaadhal. It is a triangular love story. There is a lot of talk about a three word phrase: I love you. But I wish I could tell Khatija and Kanmani a different three-word phrases — you deserve better.

Rating: **

Ashameera Aiyappan is a film journalist who writes about Indian cinema with a focus on South Indian films.

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Aamir Khan's daughter Ira Khan shares pictures of her Dad doing her makeup

Ira Khan, Aamir Khan's daughter, uploaded a couple of images with her father on Instagram on Wednesday. The 25-year-old shared a photo of their bonding moment in the caption, revealing that the PK star did her makeup.

"Guess who did my make-up? It's interesting when your father walks up to you and claims he can do your make-up better than you can... and he turns out to be right. Who needs YouTube tutorials?!" Ira's caption read.


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Aamir Khan has spent significant time with his children. The actor's production business, Aamir Khan Productions, recently posted a photo of him eating mangoes with his son Azad on its official Instagram page. As they savoured the luscious summer fruit, the two got a little dirty with their eating. "Have you treated yourself and your family with some yet?" stated the caption of the post.

Aamir is currently preparing for the release of Laal Singh Chaddha. The film is a loose version of the Tom Hanks-starrer Forrest Gump, which won six Academy Awards in 1994. After a long separation, Aamir Khan will reunite with Kareena Kapoor Khan. In 2012's Talaash: The Answer Lies Within, the two previously shared screen time.

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IPL 2022: It's time to brand Rashid Khan as an all-rounder

Eden Gardens, 2018. The giant cauldron was cheering for the local side, Kolkata Knight Riders, in Qualifier 2 of the IPL. Opening the batting, Wriddhiman Saha had top-scored for Hyderabad with a 27-ball 35. Shikhar Dhawan had scored a run fewer. Despite the 56-run opening stand, however, Hyderabad were struggling at 138/7 after 18.1 overs.

The batters had crossed. With the second ball of the over, a young, strapping Shivam Mavi beat Rashid Khan for pace. Until then, Rashid had faced only one ball, from Prasidh Krishna, and had edged it for four. Now he stepped out and lofted it to deep point. Piyush Chawla, who had caught Yusuf Pathan brilliantly at the same position off the first ball, now dropped the catch. Six.

Rashid Khan scored 31 off 11 from No 7 spot to guide Gujarat Titans to a win over Sunrisers Hyderabad. Image: Sportzpics for IPL

Three balls later, Rashid played a similar shot. This time he cleared Chawla. Six more.

It took Bhuvneshwar Kumar two balls to give Rashid the strike. Rashid lofted Prasidh over his head for four, played the now-familiar wristy swat-flick over square leg for six, and lofted over long on for six more. He remained unbeaten on a 10-ball 34 to take Hyderabad to 174/7.

In another two hours, he had dismissed Chris Lynn, Robin Uthappa, and Andre Russell, caught Shubman Gill and Mavi, and run out Nitish Raha. He had virtually single-handedly destroyed Kolkata.

But more importantly, the IPL got a glimpse of Rashid Khan the batter. He would shine from time to time, but at No. 8, opportunities were scarce. Besides, his bowling scaled altitudes so high that it hardly mattered.

Four seasons later, Hyderabad caused a stir by not retaining Rashid. Gujarat Titans, one of the two expansion teams of the season, acquired him. And Gujarat approached the season differently from most other teams: they focused on building a very strong bowling unit. They focused on pace – even four of them and Pandya – backed by the spin of Rashid.

For batting, they were happy to go in with Hardik Pandya (who might or might not have bowled), Shubman Gill (whose strike rate had been questioned during his Kolkata stint), David Miller (dangerous, if inconsistent); and Jason Roy. They were happy to fill the rest with domestic batters (Abhinav Manohar, Sai Sudharsan); batters who could bowl a few overs (Vijay Shankar, Rahul Tewatia); wicketkeepers who could slog; and Rashid.

Roy would almost certainly have been a must-pick. But in his absence, Gujarat did not mind pushing batters a slot above where they usually bat. Thus, Tewatia bats at six for them and Rashid at seven. In fact, Rashid has already faced more balls at No. 7 for Gujarat than he ever had for Hyderabad, where he was the designated No. 8.

This meant that Gujarat went in with long tails. Against Chennai Super Kings and Hyderabad, their last four were Alzarri Joseph, Lockie Ferguson, Mohammed Shami, and Yash Dayal. They did not swap any of them for a superior batter.

Thus, Rashid batted at No. 7 on both nights. He was aware of two things. First, there was no one after him. And there was a set batter at the other end who would take it deep, so Rashid would have to take the risks.

Gujarat needed 48 in three overs against Chennai when Rashid took 6, 6, 4, 6 off Chris Jordan. Two of the sixes were the trademark wristy flick, a shot that deserves a fancy name like the Helicopter or the Ramp. The other, another a slice over point. Three extremely difficult, unconventional shots that turned the match on its head.

He scored 40 in 21 balls that night. However, before that Jordan over, he had already faced 12 balls. Batting a slot above his usual position enabled him to do that.

Against Hyderabad, he hit a six off Bhuvneshwar Kumar – but that was his only boundary off the first seven balls he faced. Once again, batting a position higher gave him a few extra balls before he could take off, which he did, against Marco Jansen. Gujarat needed 15 off three balls, but Rashid sealed it 6, dot, 6, 6.

A very aggressive batter, Rashid is probably suited more to No. 7 than to No. 8. Unfortunately, he did not get enough opportunities, for Hyderabad played a batter more than Gujarat do. At Gujarat, with more balls to face, he has made the most of his opportunities.

Rashid Khan stats 1 640

Of course, one may dismiss this as small sample. After all, he has played only two special innings this season. One may also argue that there is not much difference between Nos. 7 and 8 – and he has seldom batted up the order anyway.

However, if one stretches it to all Twenty20 cricket, the sample size becomes significant enough to conclude that Rashid scores at a rapid rate if he gets to face more balls. He strikes at 159 while batting in the top seven, 144 at No. 8, and 131 below that. The difference is starker in the IPL.

Rashid Khan stats 2 640

There is little doubt over Rashid’s greatness as a bowler. It does not matter what statistic one considers: Rashid’s numbers are so incredible that he passes almost all criteria. Let alone limited-overs formats, even his five Test matches have yielded 34 wickets at 22.35.

In Twenty20 cricket, he is arguably the greatest bowler of all time. But there is more to that: his batting strike rate of 147 – across 1,493 runs – is not a fluke. Perhaps it is time to brand him an all-rounder as well.

Abhishek Mukherjee is the Chief Editor at CricketNews and co-author of Sachin and Azhar at Cape Town.

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