Tuesday, November 30, 2021

On World AIDS Day, here’s looking at 5 Bollywood films that raised awareness about HIV/AIDS

Bollywood has always been shy of taking up subjects that could be considered ‘taboo’ otherwise, but once in a while, they come out with films that manage to surprise their ardent fans. To an extent, Hindi cinema has managed to speak about HIV/AIDS. AIDS has been a hush-hush subject when it comes to talking out loud on the dinner table but making a film on the issue surely brings more eyeballs which helps in spreading awareness.

Also read: World AIDS Day 2021: From how it is caused to risk factors, all you need to know about disease

On the occasion of World Aids Day here’s a look at 5 films that raised awareness about AIDS and are a must-watch.

Phir Milenge 2004

Inspired by American film ‘Philadelphia’, Phire Milenge is directed by actress Revathi and features Shilpa Shetty, Salman Khan and Abhishek Bachchan in pivotal roles. The story revolves around Tamanna Sahni (Shilpa Shetty) who loses her job after her employer comes to know that she is HIV positive. She decides to files a complaint against the employer and meets Tarun Anand (Abhishek, who accepts her case. Unfortunately, they lose the case but they refile it in the High Court and manages to win.

AIDS Jaago – 2007

AIDS Jaago has been directed by Mira Nair and Vishal Bhardwaj and stars Farhan Akhtar and Santosh. It is a compilation of four short-films that aims to spread awareness about HIV/AIDS. The films – Migrationo, Blood Brothers, Positive and Prarambha – come from different parts of the country and highlights different points about the disease. The films feature Raima Sen, Ayesha Takia, Shiney Ahuja, Irrfan Khan, Sameera Reddy, and Pankaj Kapur, among others.

My Brother…Nikhil – 2005

The film is based on two important subjects – Homosexuality and AIDS. Directed by Onir, it stars Sanjay Suri and Juhi Chawla in lead roles. My Brother…Nikhil is based on the life of Dominic D’Souza, a worker at World Wildlife Fund and an AIDS activist. His life changes after being diagnosed with HIV and his parents disown him, friends move away, he is removed from his swimming team and even arrested just because he is HIV positive. He is forced to live in isolation. The only person to stand by him is his sister Anamika (Juhi Chawla), her boyfriend Sam (Gautam Kapoor) and his boyfriend Nigel D’Costa (Purab Kohli).

Dus Kahaniyaan – Zahir – 2007

Dus Kahaniyaan, is an anthology of ten short films directed by six directors. One of the films titled Zahir, directed by Sanjay Gupta, revolves around ‘AIDS’. The film features Dia Mirza and Manoj Bajpayee. Zahir (Manoj) is a writer who comes to reside in at a friend’s apartment where he meets Sia, who lives on the same floor as him. They become friends and eventually fall in love. But Sia rejects Zahir. One night when he visits a bar with his friends, he comes to know that Sia a bar dancer. Frustrated he visits her apartment and despite her attempts to explain him the truth, he rapes her. The next morning when Zahir wakes up he finds a note from Sia that explains ‘AIDS’ as the reason for her rejection and she cared for his health and wellbeing. The story is narrated by Zahir who reveals that Sia passed away two years back and he is now waiting for his death.

68 Pages – 2007

The Sridhar Rangayan film is based on HIV/AIDS counsellor and her clients. It reflects how society stigmatises and shuns those diagnosed with HIV/AIDS and those who are different. The film also tells the story of the counsellor (essayed by Mauli Ganguly) who avoids emotional attachment with her clients but finds difficult to remain unaffected. She expresses her feelings in ‘68 pages’ of her personal diary.

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LIVE Cricket Score, Sri Lanka vs West Indies, 2nd Test, Day 3 at Galle

Toggle between the tabs above to switch between quick scorecard, full scorecard and ball-by-ball commentary

Day 2 report: Veerasammy Permaul's five-wicket haul put Sri Lanka in trouble with the West Indies' batting openers already chasing down the hosts' lead on day two of the second Test in Galle on Tuesday.

Rain interrupted play half an hour before tea and it did not resume, in a match that has been plagued by inclement weather and bad light, with the tourists trailing by 135.

Permaul's first long-format match in six years helped bowl out Sri Lanka for 204 on the second day with a career-best 5-35.

"Over the years I've been working hard to get back into the team and glad it all worked today," he said.

The West Indies' decision to play two left-arm spin specialists proved a masterstroke against a side heavy with right-handed batters.

Permaul and fellow left-arm spinner Jomel Warrican, who claimed 4-50, cut through the Sri Lankan order on a wicket with plenty of turn and bounce.

Captains Dimuth Karunaratne and Kraigg Brathwaite pose with the Sobers Tissera Trophy. Image credit: Twitter/@OfficialSLC

"Great to bowl in tandem with Jomel. He kept things tight, putting pressure. We are pretty happy with the status quo," Permaul said.

It was the fourth time in history that West Indies spinners claimed all 10 wickets in an innings. Off-spinner Roston Chase had claimed captain Dimuth Karunaratne on day one with Sri Lanka resuming overnight on 113.

"Great pitch for spinners and there is bounce as well, which makes them even more dangerous," said Sri Lanka batting coach Grant Flower.

Sri Lanka bank heavily on skipper Karunaratne and when he doesn’t deliver, the team struggles against spin.

"Obviously Dimuth is our key player. If he doesn’t get a big hundred, the others need to put their hands up and cash in," Flower said.

"Not a good effort by the others but I am sure they will come good in the second innings."

Openers Kraigg Brathwaite and Jermaine Blackwood stood more resolute against Sri Lanka's spin attack, which had demolished the tourists' top order in their 187-run first Test loss.

Blackwood left on 44 when Praveen Jayawickrama trapped him leg before, ending a stand of 62.

Overnight batsman Pathum Nissanka had offered a couple of half chances in the morning, but his luck ran out when Permaul trapped him leg before wicket for 73 off 148 deliveries.

Permaul had a second wicket in the same over when Dhananjaya de Silva was caught behind by wicketkeeper Joshua da Silva.

Things went from bad to worse for Sri Lanka when Angelo Mathews, their most experienced batter, briefly retired with a pulled hamstring.

He returned after just under eight overs and managed to lift the team over 200, despite struggling to run between wickets, with consecutive sixes off Warrican.

He was last man dismissed, for 29, and did not go out to field.

Sri Lanka lead the two-match series 1-0.

With inputs from AFP



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IPL 2022 Retention: CSK bank on sustainable group of players; SRH leaving Rashid Khan out a massive missed opportunity

Over the past few days, the excitement for the Indian Premier League (IPL) retentions has hit a fever pitch. So much so that it has occupied the thinking of every Indian cricket fan, despite the national team locking horns with New Zealand in a titanic Test series.

The mega auction before the 2022 edition means that there will be plenty of changes come the season proper. Thus, when IPL outfits were given a deadline to chalk down the players they had retained till the 30th of November, almost everyone wanted to know where their favourite players would end up and how their favourite sides would shape up.

As always, there were several decisions that left fans astonished — some revolved around a few players not being retained, while there were also moans and groans around the players who were actually retained.

Hence, as everybody starts regaining their breath and making sense of the reality that lies ahead, the time seems ripe to delve into a deeper analysis of where these IPL teams floundered and the decisions they got right. And, of course, predict what these franchises might look to do when the auction rolls in.

(Note: The player names are in the order of them being retained)

Chennai Super Kings retentions: Ravindra Jadeja, MS Dhoni, Moeen Ali, Ruturaj Gaikwad

What did they do right: CSK have always banked on a strong and sustainable group of players. From that standpoint, each of their retentions has enough experience in the IPL and are genuine game-changers. MS Dhoni, irrespective of when he retires, was always going to be retained. Gaikwad and Jadeja are the future and the present (respectively) of the franchise.

Ruturaj Gaikwad said skipper MS Dhoni's words after the third game freed him up. Sportzpics

The only quandary would’ve been around whether to retain Faf du Plessis or Moeen. But with the IPL slated (hopefully) to take place in India henceforth, a spin-bowling all-rounder covers more bases than an opening batter.

What did they get wrong: This could be a little controversial but the retention of Dhoni is perhaps the only decision that falls under this bracket. The former Indian skipper might not play too many seasons of the IPL. Hence, CSK (in the long term) might’ve been better served tying down someone like Deepak Chahar or Shardul Thakur.

Having said that, Dhoni the character is certainly worth more than Dhoni the cricketer. And, if any individual or team can make this arrangement work, it is Dhoni and CSK.

What they might do at the auction: CSK have a knack of getting the most out of the players at their disposal. At times, their side hasn’t looked as strong on paper. But they’ve almost always found ways to offset it.

By that yardstick, they might look to buy back players that helped them win the 2018 and 2021 IPL titles. Don’t be too surprised if the likes of Ambati Rayudu, Deepak Chahar, Dwayne Bravo, Faf du Plessis, Josh Hazlewood, Sam Curran and Shardul Thakur don the yellow again.

Delhi Capitals retentions: Rishabh Pant, Axar Patel, Prithvi Shaw, Anrich Nortje

What did they do right: In the past few IPL seasons, the Delhi Capitals have cast themselves as a strong outfit. Much of their success has depended on an excellent core of Indian players – something that they’ve been able to maintain post the retentions too.

Rishabh Pant, despite blowing hot and cold lately, is a bona fide match-winner. And, as he proved in IPL 2021, isn’t a bad captain either. Axar Patel is starting to fulfill his promise on the international stage and can only get better. Prithvi Shaw, on the other hand, has the talent to become one of the best T20 openers on the planet.

Anrich Nortje, too, has held his own in the past couple of seasons. With his performances taking a turn for the better this year, it makes perfect sense to stick with him. After all, there is no substitute for raw pace.

What did they get wrong: Not a lot, to be completely honest. The only conundrum they would’ve brooded over might’ve been Shreyas Iyer’s role in the side. However, with DC being clear that Pant was going to be their captain moving forward, Iyer – the batter wasn’t as appealing.

Similarly, Nortje seems to have nudged ahead of Kagiso Rabada in the pecking order. That, coupled with the galaxy of Indian stars in their ranks, means that they can’t be faulted for this decision either.

What they might do at the auction: DC might look to get Marcus Stoinis back at the auction, considering the balance he lends to the squad. And, of course, try to prize Avesh Khan back into their squad.

They might also be on the hunt for Indian middle order batters. They have usually wanted to have a good overseas fast bowling unit, with Indians dominating the batting. It would be very surprising if they adopt a different tack this time round.

Kolkata Knight Riders retentions: Andre Russell, Varun Chakravarthy, Venkatesh Iyer, Sunil Narine

What did they do right: Getting hold of Varun Chakravarthy and Venkatesh Iyer. Over the years, the auction has proved that all-rounders and mystery spinners command huge fees. Thus, KKR have done well to re-acquire the duo. The fact that they’re Indian and can be consistent performers throughout a season only adds to their stock.

What did they get wrong: On paper, Narine and Russell are still players every team might want in their squad. Both, though, have been ravaged by injuries lately and there is no guarantee how long they will be able to live up to their reputation. Russell, in particular, has endured two successive indifferent IPL campaigns.

From that standpoint, it seems KKR might’ve been better off buying them at the auction rather than retaining them ahead of someone like Shubman Gill, who has a very high ceiling and was already part of their leadership group in 2021.

What they might do at the auction: They need a captain so that might be at the top of their wish list. There might be a temptation to go back to Eoin Morgan. But if his batting form resembles what it was in the 2021 iteration, they might look at other alternatives.

They will also need Indian top-order batting options, considering Narine, Russell and Venkatesh are all-rounders and the West Indian duo, when fit, will take up two overseas slots. Rahul Tripathi could be someone they try to rope in again.

In an ideal world, they would also want to bring Kamlesh Nagarkoti, Prasidh Krishna and Shivam Mavi on board. However, their recent run-ins with injuries and patchy form could mean that only one (or maybe two) of them find themselves at KKR again.

Mumbai Indians retentions: Rohit Sharma, Jasprit Bumrah, Suryakumar Yadav, Kieron Pollard

What did they do right: Retaining the players that have made MI the IPL dynasty they are. Each of their retentions are exceptional players and cricketers well-versed with what makes the franchise tick. To add to that, all of them (barring injuries) should be available to play the entire season of any IPL edition.

MI skipper Rohit Sharma. Image: Sportzpics

Additionally, they didn’t give in to the temptation of procuring Hardik Pandya on an exorbitant contract. He remains capable of being a world-class all-rounder but his fitness has become too much of a variable lately.

What did they get wrong: It is very hard to pin-point because MI had a problem of plenty – something most franchises didn’t have. The only bit that might be confusing is their refusal to opt for Ishan Kishan – someone who has a bright future and has been a fabulous performer for Mumbai.

What they might do at the auction: Try everything in their power to get Ishan Kishan back in the mix (provided he enters the auction). They might also fancy their chances of bringing back Trent Boult and might target someone like Shardul Thakur at the auction, considering the batting depth he adds.

They might also be closely monitoring power-hitting all-rounders because, well, Pollard can’t play forever, can he?

Punjab Kings retentions: Mayank Agarwal, Arshdeep Singh

What did they do right: The Punjab Kings are the team to have retained the least number of players. That, though, is something that has been synonymous with the franchise over the years.

In Arshdeep, they have a pacer who can become a household name. The fact that he is a left-arm pacer and boasts decent experience in the IPL should hold PBKS in good stead.

With respect to Mayank, Punjab could’ve bought him at the auction for a much lower price. Yet, with Mayank, the sky seems to be limit, at least as far as his talent is concerned. He has also led Karnataka in domestic cricket previously and seems the right person to lead PBKS into promised land.

If it works out or not is another matter altogether. But this punt on Mayank shouldn’t be as surprising as it is being made out to be.

What did they get wrong: In a utopian world, no team would’ve wanted KL Rahul to leave. Yet, PBKS have allowed that situation to materialise. It might not be entirely be their fault but the fact that it has come about is, in some part, down to them as well.

They could’ve also tied down Mohammed Shami to a contract, considering Indian pacers are usually in demand at the auction. A bit more confidence in someone like Shahrukh Khan (earlier in the IPL) wouldn’t have hampered their pursuit either.

What they might do at the auction: They need a new core, first of all. They might also want to spread the batting burden and get more batters capable of performing that sort of role. It might not be beyond the realms of possibility if the Punjab Kings pull out all the stops to acquire Ben Stokes, Liam Livingstone (if they are a part of the auction) or players of a similar ilk.

One thing is for sure though. The Punjab Kings will have another busy IPL auction.

Rajasthan Royals retentions: Sanju Samson, Jos Buttler, Yashasvi Jaiswal

What did they do right: Well, getting Buttler back was a pretty astute move – not that it takes rocket science to decipher what he brings to the table. Samson has also portrayed glimpses that he is en route to becoming the batter he has always been touted to be.

Jaiswal, meanwhile, is a bit of a risk. But seeing how he approached the 2021 edition, it might not be a bad choice. Plus, he has time on his hands to develop into a top-drawer opening batter. Not splashing more cash on Chris Morris also seems a wise decision.

What did they get wrong: RR simply needed to find a way to get one of Jofra Archer, Livingstone or Stokes back into the fold. They didn’t. They could also have gambled on Kartik Tyagi, considering the poise he has already shown. Chetan Sakariya, though, is a really surprising omission and RR might find it tough to recruit him at the auction.

What they might do at the auction: Firstly, they might not want to over-pay on players. RR have developed an uncanny knack of doing so and have suffered, with other areas of their squad seeming undercooked. This time, they might go back to purchasing players that suit their style of play.

They would love to have one of Archer, Livingstone or Stokes in the mix, although that seems a touch difficult. Don’t be surprised if they bid big for a frontline Indian seamer (read Bhuvneshwar or Shami) as well.

Royal Challengers Bangalore retentions: Virat Kohli, Glenn Maxwell, Mohammed Siraj

What did they do right: RCB and Virat Kohli have been associated for so long that this became a no-brainer. Maxwell has also proved lately that he can be consistent throughout an IPL season and seems to be enjoying the RCB environment.

Virat Kohli and AB de Villiers during IPL 2021. Image: Sportzpics for IPL

Siraj, meanwhile, has quietly cast himself as one of the best T20 pacers in the country, meaning that if RCB were to bid for him at the auction, they would’ve had to raise the paddle several times.

What did they get wrong: There have been reports that the franchise and Yuzvendra Chahal couldn’t finalise a financial package.

If that were to be the truth, RCB might be ruing it. Not just because quality spinners are at a premium, but also because they form the crux of any title-winning team – something RCB aspire to be.

Devdutt Padikkal is another who has shown immense promise. But hasn’t been deemed good enough to be retained. If he were to make his way into the auction, RCB might have their task cut out re-acquiring him.

What they might do at the auction: Find an AB de Villiers replacement. That, though, is easier said than done. They would also want to buy Chahal and Padikkal at the auction but that comes with minimal guarantees.

They would ideally want a powerful middle order — something they’ve struggled with historically. Oh, by the way, they also need a new captain who Kohli can play under.

Considering how RCB have a reputation of paying exorbitantly for international stars, don’t rule out a big-money move for someone like Stokes or Warner too.

Sunrisers Hyderabad retentions: Kane Williamson, Abdul Samad, Umran Malik

What did they do right: Well, the only overseas player that they have retained is pretty good. None of the others (barring Rashid Khan) made a compelling case to be re-signed. David Warner, at least after the T20 World Cup, might have been a good bet. But it seems that that horse has bolted.

The decision to not retain Bhuvneshwar Kumar might also be prudent, considering he has looked far from his best lately. The best part, though, is that SRH have shown faith in two youngsters (Abdul Samad and Umran Malik) – youngsters who can be world-beaters if nurtured properly.

What did they get wrong: NOT RETAIN RASHID KHAN. The Afghan spinner is arguably the best T20 bowler in the world, across conditions. There have been murmurs that both parties couldn’t come to an agreement, with respect to Rashid’s retention price. If that is the case, this is a massive missed opportunity.

File image of Rashid Khan. Sportzpics

Jonny Bairstow is another name that SRH should’ve contemplated retaining. The Englishman is one of the premier white-ball openers in the world and doesn’t have a shabby record in the IPL either.

What they might do at the auction: Well, they effectively need an entire squad. They would do well to not repeat their previous mistakes aka not relying on their foreign players to carry the batting.

Their bowling attack has always been their USP. They would want to maintain that and add a few good Indian batters who could take responsibility and single-handedly win matches for SRH. Such cricketers, though, aren’t ubiquitous, meaning that they won’t come very cheap.

Plenty of work to do at the auction table, it seems.



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Money Heist: Berlin gets a spin-off, here’s all you need to know

Money Heist, otherwise known as La Casa De Papel, is coming to an end but Netflix is planning to expand the heist universe. You read that right! During its global fan event, the makers of the series announced the new show titled Berlin. Netflix also announced that in the Korean version of Money Heist, Squid Game’s Park Hae-soo will play Berlin.

The show is set to launch in 2023. Netflix didn’t give out many details of the spinoff, but the Berlin character, otherwise called Andrés de Fonollosa, is the second-in-command of the Royal Mint of Spain heist and also planned the Bank of Spain heist, which he shared with The Professor and Palermo. Despite being a charmer, he is a sociopath, and is seen being at loggerheads with Tokyo and Nairobi more than once. He eventually manages to win over the viewers with his leadership qualities and zest to keep the gang together. He puts himself in the line of fire to protect his fellow gang members from the cops at the end of the first heist. But given the popularity Berlin achieved, the makers brought him back in flashbacks as the mastermind of the second and ongoing heist at the Bank of Spain.

Berlin’s love story and marriage to Tatiana, and the introduction of his son Rafael in the show recently, only piqued the interest of the audience, encouraging Netflix to greenlit a spin-off on the character.

For now, Berlin will return in Money Heist season 5 part 2, that marks curtains down of the globally hit crime drama on the streaming platform.

moneyheist5

The series was created by Alex Pina and tells the story of the heists through the perspective of one of the robbers, Tokyo, played by Ursula Corbero. It also stars Álvaro Morte, Itziar Ituño, Miguel Herrán, Jaime Lorente, Esther Acebo, Enrique Arce, Rodrigo de la Serna, Darko Peric, Najwa Nimri, Hovik Keuchkerian, Luka Peros, Belén Cuesta, Fernando Cayo, Fernando Soto, Jose Manuel Poga and Mario de la Rosa.

Money Heist season 5 part 2 will release on December 3.



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Amit Sadh tests positive for COVID-19: ‘Will come back stronger’

Actor Amit Sadh said that he has tested positive for coronavirus. In a post on Instagram, the 38-year-old actor said that he is isolating himself at his residence.

"Despite utmost precautions, I have tested positive for covid-19. The symptoms are mild. Following the protocols, I have isolated myself and will be under home quarantine. "I am sure I will come back stronger and better out of this. Please stay safe and take care of yourself and others," Sadh wrote.


View this post on Instagram

A post shared by AMIT SADH (@theamitsadh)

As soon as he shared the note, his well-wishers and friends posted messages in the comments section. “Get well soon, take care,” wrote Anushka Arora. Vindhya Tiwary commented, “Please take care.” Gautam Rode and Neeraj Gaba also wished Amit a speedy recovery.

On the work front, Amit Sadh has Breathe Season 3 in the pipeline. The actor had announced last month that he has started shooting for the third season of his popular Amazon Prime Video series Breathe, which also stars Abhishek Bachchan and Nithya Menen.



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The Power Of The Dog movie review: Fierce, brutal in its own way, and wildly beautiful at end of it all

Language: English

Jane Campion is a strangely elusive filmmaker. Not only is her work scarce and sporadic but she seems to want to subvert genres as if they are nothing but eggshells preventing cinema to crack open with dubiously chaotic energy. The first woman to ever win the Palme D or has, after a gap of ten years, made a western for Netflix. And as is the Campion way, it flips genre and gender roles on its head by setting a homoerotic story in the middle of a dry, rusty 1920s Montana ranch. The Power of the Dog, is fierce, brutal in its own way and wildly beautiful at the end of it all. Campion finds that rare, lyrical way to suppress everything the western genre obviates without losing its harsh, exterior coating. It is moving, tragic and stunning in the most revelatory way.

Phil played by Benedict Cumberbatch and George played by Jesse Plemons are the Burbank brothers, heirs to a surprisingly successful ranch in 1920s Montana. Phil is a bully, an instinctively toxic man who spares neither his subjects nor his brother. Cumberbatch injects the dirty skin of his character with the cold vein of remorselessness. There is no space for weak men in this world, and it’s an adage that Phil wears on his sleeve. George, played by the terrific Plemons on the other hand is a gentler, more accommodating soul who falls for Rose, a local widow played by the stunning Kirsten Dunst. Dunst has a teenage son, whose feminine yet quizzically deep habits make him the subject of both ridicule and intrigue in a world that only knows how to deal with the unforgiving external life of things rather than what holds them together on the inside.

Rose moves into the ranch along with her son, much to the disdain of Phil who goes out of his way to make her feel unwelcome. In a scene where Rose attempts to play a newly acquired piano, Phil competes with her, in a quietly revealing sequence that delivers both his angst and hidden artsy side. Dunst is entirely in her element here, as she finds her feet on a ranch that is overseen by a certain brand of masculinity. But while Phil is tough on the outside, there is a hidden side to the Burbank brothers that they evidently, refuse to discuss – they sleep on the same bed at night. To Phil, hiding in plain sight is the same survival tactic as it is to shoot someone in the dark of night. Perceptions matter, even to the fatalism of a bullet that knows not one target from the other.

As is Campion’s way, the film uses its geography to stunning effect, casually feeding you the claustrophobia of a land without any tangible form of vulnerability, maybe even love. Sure, the Burbank brothers live together, but is their possessiveness of each other out of fear of loneliness or simply affection for the unsaid. Westerns are always set within the language of gun toting villains, sheriffs and a rare brand of despotism that is as universal as it seems unforgiveable. In Campion’s film, no bullets are fired, no guns brandished, no laws broken, except the one – the law of naturalism, of love streaming through the gates of prejudice and persecution. Even the visual trick, after which the film is named, is so smoothly introduced into the fabric of the film it feels overwhelming simple and yet, eternally affecting. It’s again, a matter of perception, Campion tells us, a matter of seeing boundaries as the contours of being something people neither wish, nor can bring themselves to see in you.

Also read: From Sooryavanshi to Spider-Man: No Way Home, how makers are using crossover cameos to bring audiences back to theatres

Plemons’ usual understated brand of nervous acting aside – as good as it is – the film belongs to both Cumberbatch and Dunst. As adversaries there is a soap-ish quality to their feud and yet it rises above the essentials of bitterness into something horrid and inverted. Both Rose and Phil, are in a way, survivors, keen on surviving the cards life has dealt. While one chooses to hide, the other chooses to break down in plain sight. Either way, they play to the gallery, instruments that are expected and not those that are needed. The lack of an obvious form of sensuality, makes this film terse and tight, as if it is holding its breathe. Phil’s secrets are communicated well ahead of the climax and they make his performative toxicity that much more tragic and painful to absorb. Cumberbatch perfectly embodies a man yearning to let go, look the wolf in the eye, but in scenes where his insides evidently crumble he stands steadfast, as the tragic manifestation of an open and unforgiving secret – men do as men are expected to do here. Campion’s film finds the genre of the western a new language to speak in, where the violence enacted is mostly internal, its wounds, however, deeper, even terminal.

Rating: 4.5

Power of the Dog is releasing on Netflix on December 1.

Manik Sharma writes on art and culture, cinema, books, and everything in between.

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Money Heist Season 5 Part 2, Atrangi Re, Aarya Season 2: What's streaming on Netflix, Hotstar in December

Single All the Way – 2 December

Single All the Way will see Peter return home for the holidays with his best friend Nick while pretending they’re in a relationship. Peter’s mother has other plans for Peter, however, setting him up with a local trainer.

Michael Urie and Philemon Chambers front the cast and will notably guest star Jennifer Coolidge.

Emily in Paris (Season 2) – 22 December

After extensive filming over the summer, the Emmy-nominated Netflix Original series Emily in Paris returns. Emily is getting better at navigating the city of Paris but still stumbling when it comes to her relationships. Darren Star continues to helm the second season which consists of 10 episodes.

The Witcher (Season 2) – 17 December


Perhaps the biggest returning series for the entire month is the second outing with Geralt in the form of The Witcher season 2.

Here’s what you should expect from the second season:

“Convinced Yennefer’s life was lost at the Battle of Sodden, Geralt of Rivia brings Princess Cirilla to the safest place he knows, his childhood home of Kaer Morhen. While the Continent’s kings, elves, humans and demons strive for supremacy outside its walls, he must protect the girl from something far more dangerous: the mysterious power she possesses inside.”

Don’t Look Up – 24 December


Headlined by Leonardo DiCaprio and Jennifer Lawrence, Don’t Look Up will see two scientists take a tour of the world trying to convince everyone that the end is nigh.

Just before the release of the movie on Christmas Eve, Netflix will also debut the movie in theatres on 10 December.

Money Heist (Season 5 – Volume 2) – December 3

This is it. The end of one of Netflix’s biggest series in its history so far. It’s been a long road for the gang who have been robbing some of Spain’s most historic banks but the heist must come to an end.

Also read: The Money Heist phenomenon: Decoding how Netflix’s Spanish drama became a global favourite

With the first half of season 5 coming in early September, you’ll get the final batch of episodes in early December rounding out a truly epic series but it’s not over.

Minnal Murali – 24 December


The big Indian release of December 2021 will arrive on Christmas Eve. A tailor from a small town of Kerala develops superpowers after being struck by lightning. The movie reportedly has a budget of $2.8 million.

Also read: Drushyam 2 movie review: Venkatesh, Meena uphold Jeethu Joseph's writing for a faithful Telugu remake

Aranyak – 10 December

Raveena Tandon is all set to make her OTT debut with the web show Aranyak. After a foreign teenage tourist disappears in a misty town, a harried, local cop Kasturi must join hands with her city-bred replacement Angad, on a big-ticket case that digs up skeletons and revives a forgotten myth of a bloodthirsty, serial killing entity in the forest.

Amazon Prime Video

Encounter – 10 December

In an attempt to save his two sons, a Marine embarks on a mysterious rescue mission. The sci-fi movie features an all-star cast, including Riz Ahmed, Octavia Spencer and Rory Cochrane.

Being the Ricardos – December 17

The pioneering comedy TV couple Lucille Ball (Nicole Kidman) and Desi Arnaz (Javier Bardem) see their careers and love tested during one pivotal week when Ball, the “I Love Lucy” star, stood accused of being a Communist. Writer-director Aaron Sorkin flashes back and forth in time and captures some of Lucy’s most memorable antics. The supporting cast includes J.K. Simmons as William Frawley (Fred Mertz) and Nina Arianda as Vivian Vance (Ethel Mertz).

Disney+ Hotstar

Atrangi Re - 24 December

The romantic-drama, set in Bihar and Madurai, follows Rinku Sooryavanshi (Sara Ali Khan), a young woman who works in a railway station kiosk, whose story is told across two timelines; one where she marries the cunning and quirky Vishnu (Dhanush), and the other where she falls for the extravagant circus ringmaster Anil (Akshay Kumar).

The Book of Boba Fett – 29 December

The Book of Boba Fett is finally here to win the hearts of all the Star Wars lovers. Teased after the Season 2 finale of The Mandalorian, The Book of Boba Fett follows the adventures of a titular bounty hunter (Temuera Morrison) and mercenary Fennec Shand (Ming-Na Wen) as they navigate the underworld of the galaxy. Tensions rise when they come back to Tatooine to claim the territory once ruled by Jabba the Hutt.

Aarya Season 2 – December 10

The first season ended with Aarya deciding to pack up and leave the country with her kids when she gets a call from the mob who is still tracking her every move to get back the money that was owed tao them by her family. Aarya became one of the most popular web shows of 2020. The story revolves around Sushmita's character Aarya. She is a mother of three children and the wife of a businessman, played by Chandrachur Singh, who gets shot in broad daylight.

ZEE5

Bob Biswas – 3 December

The film delves into the origins of Bob Biswas, the breakout character in Sujoy Ghosh's 2012 thriller Kahaani, fronted by Vidya Balan. Considering that the character was made famous by noted actor Saswata Chatterjee, Abhishek Bachchan had some big shoes to fill.

420 IPC – 17 December

ZEE5 is back with another intriguing courtroom drama, 420 IPC but this time the drama is on an economic offense. The ZEE5 Original Film will premiere on 17 December on the platform. 420 IPC is directed and written by Manish Gupta, who has previously scripted the screenplay and dialogues for Akshaye Khanna starrer, Section 375. He has also directed Rahasya based on the Aarushi murder case, and The Stoneman Murders based on the infamous Stoneman serial killings. 420 IPC is produced by Zee Studios and Kyoorius Digital P.L. and stars Vinay Pathak, Ranvir Shorey, Gul Panag and Rohan Vinod Mehra in pivotal roles. The plot of 420 IPC revolves around a chartered accountant, played by Vinay Pathak, who is arrested for an economic offence and who is defended by Rohan Vinod Mehra, late actor Vinod Mehra’s son who was last seen in Saif Ali Khan-starrer Bazaar. Ranvir Shorey plays an eccentric Parsi public prosecutor and Gul Panag plays the accused CA, Vinay Pathak’s wife.



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IPL 2022 Retention: MS Dhoni to Rohit Sharma, full list of retained players and purse remaining for franchises

The IPL 2022  retention event took place on Tuesday ahead of the much-awaited mega Auction leading up to the next season. Punjab Kings’ KL Rahul, Sunrisers Hyderabad's Rashid Khan and Mumbai Indians’ Hardik Pandya were among the big names released by their franchises.

As expected, MS Dhoni was retained by CSK for Rs 12 crores, with Ravindra Jadeja (Rs 16 crores), Moeen Ali (Rs 8 crores) and Ruturaj Gaikwad (Rs  6 crores), being the other retentions.

File image of MS Dhoni. Sportzpics

Virat Kohli, Glenn Maxwell and Mohammed Siraj were the players retained by Royal Challengers Bangalore (RCB).

Devdutt Padikkal, Harshal Patel and Yuzvendra Chahal were some of the key players released by RCB.

MI retained their skipper Rohit Sharma, Suryakumar Yadav, Kieron Pollard and Jasprit Bumrah.

SRH skipper Kane Williamson was retained, along with uncapped players Abdul Samad and Umran Malik.

For RR, while skipper Sanju Samson was retained along with Jos Buttler and Yashavi  Jaiswal, JofraArcher and Ben Stokes were notable released players.

Ahead of the IPL auction, the eight current franchises have released their retention list.

CSK, MI, DC have retained the maximum of four players allowed to be retained while RR have retained three players including skipper Sanju Samson.

According to the retention rules, the current franchises were allowed to retain a maximum of four players (Not more than three Indian players and not more than two foreign players)

The salary cap of the teams is 90 crores. The deductions are applied according to the number of retentions. In case of four retentions, Rs 42 crore is deducted. For three - 33 crore, for 2 - 24 crore and for one - 14 crore.

In case of uncapped player retention, Rs 4 crore was to be deducted.

List of retained players:

RCB: Virat Kohli (Rs 15 crores) Glenn Maxwell (Rs 11 crores) and Mohammad Siraj (Rs 7 crores)

MI: Rohit Sharma (16 crores), Jasprit Bumrah (12 crores), Suryakumar Yadav (8 crores), Kieron Pollard (6 crores)

PBKS: Mayank Agarwal (Rs 14 crore), Arshdeep Singh (uncapped) (Rs 4 crore)

SRH: Kane Williamson (Rs 14 crore), Umran Malik (uncapped, Rs 4 crore), Abdul Samad (Uncapped, Rs 4 crores)

CSK: Ravindra Jadeja (Rs 16 crore), MS Dhoni (Rs 12 crore), Moeen Ali (Rs 8 crore), Ruturaj Gaikwad  (Rs 6 crores)

DC: Rishabh Pant (Rs 16 crore), Axar  Patel (Rs 9 crore), Prithvi Shaw(Rs 7.5 crore) and Anrich  Nortje (Rs 6.5 crore)

RR: Sanju Samson (Rs 14 crores), Jos Buttler (Rs 10 crore) and Yashasvi Jaiswal (Uncapped, Rs 4 crore).

KKR: Sunil Narine (Rs 12 crore), Andre Russell (Rs 8 crore), Varun Chakravarthy (Rs 8 crore) and Venkatesh Iyer (Rs 6 crore).

Purse remaining for each team after retentions:

RCB - 57 crore
MI - 48 crore
PBKS - 72 crore
SRH - 68 crore
CSK - 48 crore
DC - 47.5 crore
KKR - 48 crore
RR - 62 crore

 



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Highlights, Sri Lanka vs West Indies 2nd Test, Day 2 at Galle, Full cricket score: Windies trail by 135 runs

Toggle between tabs to view scorecard and Ball by Ball Commentary

 

Day 1 report: Sri Lanka's openers started strong against the West Indies after rain stopped play until after tea in the second Test at Galle on Monday.

Match officials extended play after the hosts won the toss but stopped half an hour early with bad light after just 34.4 overs.

For the latest match Cricket Live Score, follow the Live Score and updates of the match here

 

Pathum Nissanka outscored skipper Dimuth Karunaratne to reach his third Test fifty with a boundary driving Jason Holder straight down the ground.

He was unbeaten on 61 in 109 deliveries with four fours and a six.

"There has been lot of spin on the track and it will get worse as we move on," Dhananjaya de Silva, due to bat at number five, told journalists.

"Anything above 300 is going to be a very good total on this track and Pathum is going to be the key for us," he added.

Karunaratne was dismissed for 42 when he offered a return catch to Roston Chase, missing out on equalling the world record for most successive Test half-centuries, but de Silva said the captain was unfazed.

“Dimuth is a positive guy. Whether the wicket is turning or seaming he doesn't care. He goes with a positive mindset and that rubs off to the team as well," de Silva said.

The West Indies exhausted two reviews, first challenging a decision after a leg-before shout against Nissanka off Holder.

The tourists then argued for a caught behind with Oshada Fernando yet to score, but that too was unsuccessful.

The wicket is already offering assistance to spin bowlers and the track is expected to further deteriorate as the game progresses.

Sri Lanka made one change to the side that won the first Test by 187 runs, leaving out fast bowler Dushmantha Chameera and beefing up their batting with Charith Asalanka, marking the former under-19 captain's Test debut.

The West Indies brought in fast bowler Kemar Roach and spinner Veerasammy Permaul, replacing Shannon Gabriel and Rahkeem Cornwall.

Permaul is playing his first Test in six years and will complement fellow left-arm spinner Jomel Warrican.

"We felt that with Roston Chase already bowling off-spin that we would be better off with two left-arm spinners," said West Indies bowling coach Roddy Estwick.

"Warrican was looking good and Permaul obviously is coming after a lay off and he will be good tomorrow, I think."

Roach, the eighth highest wicket-taker for the West Indies in Test match cricket, was a surprise omission in the first Test.

Play will get underway 15 minutes early over the next four days to catch up for lost time.

With inputs from AFP



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Is Priyanka Chopra grown-up version of Sati in The Matrix Resurrections? Here’s the answer

Ever since the makers of The Matrix Resurrections released the film's first trailer online, social media has been abuzz with many marvelling at the comebacks of Keanu Reeves and Carrie Ann-Moss as Neo and Trinity respectively. In the trailer, actor Priyanka Chopra too had a blink-and-a-miss appearance, which piqued the interest of the fans. Many were quick to jump to the conclusion that PeeCee will be playing the role of Sati in the fourth instalment of the film franchise.

Wondering if that’s the truth? Here’s the answer:

The English posters of the film have tried to keep Priyanka Chopra's role under wraps, but the Korean poster confirmed that she is playing the role of Sati.

The Instagram handle of Warner Brothers Korea on Monday shared the Korean counterpart posters of The Matrix Resurrections. While the images on the posters remained the same, some of the text appeared to be changed.

Take a look:

In the poster featuring Priyanka Chopra, the title of the film featured in the local language while the text in red featured her character's name – Sati (사티). The caption also featured the hashtag Sati.

The poster confirms the popular theory -- Priyanka is indeed playing the grown-up version of Sati and she will be sending Keanu Reeves' Neo into the rabbit hole.

In one of the promotional videos shared in October, Priyanka opened up about the Matrix movies and being a part of the franchise. She said, “It's this amazing, magical, mythological world that has been created using numbers and digits, but it's actually about consciousness, it's actually about thought.”

The Matrix Resurrections is set to release on 22 December. Directed by Lana Wachowski, the film also has Jada Pinkett Smith reprising her role of Niobe. Christina Ricci, Jessica Henwick, Jonathan Groff and Neil Patrick Harris will be new additions to the cast.



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I am quite keen to act again: ‘Sardari Begum’ actress Smriti Mishra

The recent launch of the Hindi translation of Vijay Singh’s critically acclaimed book Jaya Ganga sent me on a nostalgic trip. While attending the event at the French Ambassador's residence in New Delhi, I was suddenly reminded of watching the film adaptation of Jaya Ganga (directed by Singh himself) on television as a college student.

The actress playing the part of Zehra had struck me with her elegance, grace, impeccable Urdu diction, and breathtaking classical dancing abilities. Seeing Zehra's face again on the book cover of the Hindi translation of Jaya Ganga immediately made me think of Smriti Mishra, the actress who essayed the character in the film. Also, I was a little surprised by her conspicuous absence at the launch.

I recalled last seeing her in Dil Dosti Etc, which also starred Imaad Shah and Shreyas Talpade. The film came out about 14 years ago. A little research on my part confirmed that Mishra hadn’t done a feature film in over a decade. That's when my search for her began.

A skillful dancer and a powerful performer endowed with a rare gift to transfix the viewer with her ability to emote in front of a motion picture camera, Mishra seemed to possess everything that one has come to associate with great Indian actresses across ages.

In a relatively short career that features films such as Jaya Ganga, Is Raat Ki Subah Nahi, Sardari Begum, Train to Pakistan, One Dollar Curry, Kal: Yesterday and Tomorrow, Dil Dosti Etc, and the American film Mitsein, Mishra had proven without doubt her versatility as an actress who wasn’t afraid to push boundaries. Many critics even compared her to the likes of Shabana Azmi and Smita Patil. But then she disappeared from the scene.

I wondered why in today's age of OTT, wherein a versatile performer like her would be a handful, she hasn’t yet made her much-awaited comeback, especially when many of her contemporaries have successfully done so in the recent years. So, with this thought in mind, I kept searching for her. Some speculated that she had left Mumbai for good. Others said she was still living in Mumbai.

When I was finally able to establish contact with her, I learnt that she would soon be coming to the Capital for some event. A few weeks later, I finally met her as we began our freewheeling conversation about what’s been keeping her away from professional acting for over a decade, her early days as a young Kathak dancer and her acting journey that started with Jaya Ganga.

Growing up in Benares, Mishra trained as a Kathak dancer under the tutelage of Pandit Durga Lal right from a very young age. Image courtesy: Murtaza Ali Khan

Mishra said she had no plans to retire. At first, it was because of some health issues in her family that she had to take intermittent breaks. Then, the offers that came her way didn’t interest her much as an actor.

“I am very much based in Mumbai but I keep trotting the globe. And, as they say, once an actor, always an actor, but the work should appeal to me. I like to see myself as a working actor and the thought of retirement is not on my mind. So, yes, I am quite keen to act again if something good comes my way, whether a movie or a web series,” told Mishra.

Growing up in Benares, Mishra trained as a Kathak dancer under the tutelage of Pandit Durga Lal right from a very young age.

“The death of my first guru Durga Lal-ji had a profound effect on me. Even though my training continued under the great Birju Maharaj-ji there was a part of me that had been deeply disturbed. I even went to London and performed there for a couple of months but I didn’t feel like staying there for a longer duration and so I came back. It was during one of my performances at the Kathak Kendra at Mandi House that I was spotted by Ram Gopal Bajaj-ji, who was the director of the National School of Drama. He encouraged me to do theatre and soon I did a play called Hastinapur which got me great recognition,” revealed Mishra who soon got her big movie break in Jaya Ganga after Bajaj recommended her to Vijay Singh for the part of the female lead.

Even before Jaya Ganga released, the editor of the film, Renu Saluja, suggested Mishra’s name for a leading part in Sudhir Mishra’s Is Raat Ki Subah Nahin wherein Mishra starred opposite Nirmal Pandey. The song from the film ‘Chup Tum Raho’ remains one of the most watched songs from the 1990s on YouTube.

“A lot of the times when young girls meet me and recognise me from the film, they sing the song in front of me as a gesture of love and appreciation. It’s really a special feeling that a 25-year-old song is still able to strike chords with the youth,” told Mishra.

The actress next starred in Shyam Benegal’s Sardari Begum in the titular role. She was in Mandi House when a phone rang asking for her. The voice on the other side informed her that she has been cast in Shyam Benegal’s next film.

“I was as excited as I was nervous to learn that I will be playing the titular part in a Shyam Benegal film. The film was a great success and my performance was widely noticed. In fact, there was a time I got synonymous with the character. Wherever I would go people would address me as ‘Sardari’. I think it will always remain a very special film in my body of work,” Mishra reca;;ed.

Mishra subsequently starred in Pamela Rooks’ Train to Pakistan, once again starring opposite Nirmal Pandey. “Working with Nirmal on both the films was really something special. We, of course, shared a great chemistry, both onscreen and off screen. He was such a great soul and so was Pamela. And both of them left so early and I dearly miss them both,” sighed Mishra who subsequently starred as the lead in an IMAX film titled Kingdom of the Tiger, directed by Bruce Neibaur and starring Christopher Heyerdahi opposite Mishra.

“It was a great experience working on the film. I was the first Indian actress to star in an IMAX film. It's about the life of Jim Corbett and how an Indian girl encourages him to kill a man-eating tiger,” revealed Mishra.

Mishra said she had no plans to retire. At first, she had to take intermittent breaks due to some health issues in her family. Then,the offers that came her way didn’t interest her much as an actor. Image courtesy: Murtaza Ali Khan

While talking about how she was approached by Manish Tiwary to play the part of a prostitute in Dil Dosti Etc, Mishra was quick to highlight that there’s a difference between a tawaif and a prostitute.

“The character Zehra that I played in Jaya Ganga was a tawaif and in Dil Dosti Etc, I play a prostitute. So as an actor you are always walking a thin line. I feel I succeeded in making Vaishali look different from Zehra as that was very important. It's certainly written differently and also I played it differently,” asserted Mishra who subsequently starred in Mitsein, directed by Aparna Malladi, a scientist living in San Francisco for the last 15 years.

Over the years, Mishra has consciously stayed away from commercial escapist entertainers that became a mainstay in Hindi cinema around the turn of the millennium. Her formidable body of work bears testament to her commitment to stay true to her art.

“I have always put quality over quantity. Each and every film that I have done I have tried to put in my best work. Even today if I would say ‘yes’ to something then it has to make me feel excited as an actor,” said Mishra who admires actresses such as Tabu, Kajol, and Vidya Balan for the quality and consistency of their work over such a long period.

Murtaza Ali Khan is an Indian critic and journalist who has been covering art and culture for over 10 years. Views expressed are personal.

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IPL 2022 Retention Live Updates: Dhoni, Kohli, Rohit likely to be retained as teams set to announce retentions

14:07 (IST)

Excitement is in the air....

13:59 (IST)

Ahead of the 2022 edition, there will also be the Mega Auction that is slated to take place sometime soon, with the official date yet to be announced. But before that, the eight existing teams will be submitting the names of players they wish to retain. The deadline has passed and the teams will reveal the names soon.

13:50 (IST)

The Indian Premier League’s (IPL) 2022 season promises to be a grand affair with the introduction of two new teams — the Ahmedabad and Lucknow franchises, thereby taking the total number of teams in the tournament to 10. On 25 October, it was announced that Ahmedabad and Lucknow would be the two new entrants after the two franchises were bought by CVC Capital Partners and business tycoon Sanjeev Goenka’s RPSG Group.

13:36 (IST)

Hello and welcome to the live coverage of IPL Retentions. It's a big day as the teams will announce the names of the players they are going to retain ahead of the IPL 2022 mega auction.

IPL Retention 2022 News Live Updates: Check out for the live updates of IPL Retention, list of retained players, released players list, IPL news, IPL teams players, cost of retaining players and many more.

The build-up to the Indian Premier League (IPL) is well and truly underway, and the addition of two new teams have added a bit more excitement among fans heading to the 2022 season. There’s the IPL Mega auction slated to be held soon, but before that the eight existing teams face a deadline of 30 November, by which they have to submit their player retentions.

IPL Retention Players list, latest ipl 2022 news and live updates: Sportzpics for BCCI

For the two new teams, they have a timeframe between 1 December to 25 December to pick three players before the mega auction.

The likes of MS Dhoni and Virat Kohli look set to continue with their respective franchises in CSK and RCB, but stars like Shreyas Iyer could go under the hammer at the auction.

The BCCI have allotted Rs 90 crore as salary cap to all 10 teams. Rs 42 crore will be deducted in case of four retentions, Rs 33 crore in case of three, Rs 24 in case of two and Rs 14 crore in case of one retention.

Delhi Capitals’ skipper Rishabh Pant looks set to be retained. Meanwhile, Rituraj Gaikwad, who had a brilliant show with the bat with CSK this season, also looks set to continue with the side for the upcoming season. Along with him, Ravindra Jadeja could follow suit, while England’s Moeen Ali is another contender to be retained. In case Moeen isn’t willing to stay with CSK, they could look at Sam Curran as the fourth option.

A report in NDTV news website suggests that Rajasthan Royals have retained skipper Sanju Samson despite finishing seventh last season.

A report in ESPNcricinfo says England’s trio of Jos Buttler, Jofra Archer and Liam Livingstone along with Yashasvi Jaiswal are contenders for RR’s remaining three retentions.

Another talking point has been that of Punjab Kings’ KL Rahul, with an NDTV report suggesting he could part ways with the franchise and look elsewhere.

While the dates for the Mega Auctions and next year’s tournament have not yet been officially released, the retention event is to take place on 30 November, starting at 5 pm IST.



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In pics: Priyanka Chopra and Nick Jonas enjoy date night at British Fashion Awards 2021

Priyanka Chopra attended the British Fashion Awards 2021 with her husband Nick Jonas. The couple not just looked stylish but their chemistry left everyone impressed. The event took place at the Royal Albert Hall in London, England.

Nick later took to Instagram to give a shout-out to ‘star of the show’, his beautiful wife, as he shared photos featuring both of them. He captioned the post, "The star of the show. @priyankachopra @nicolasgerardin (sic)."


View this post on Instagram

A post shared by Nick Jonas (@nickjonas)

The 39-year-old actor turned heads in a floral jumpsuit by Richard Quinn. Nick looked dapper in a suited-up look. After making a stylish red carpet entry hand-in-hand, the duo couldn't stop looking into each other's eyes while posing together.

Check pictures:

Priyanka

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In a viral video from the event, Nick can be seen helping Priyanka with her overcoat train and spreading it around before she posed for photos.

Recently, Priyanka Chopra created a stir after she dropped 'Chopra Jonas' from her name on Twitter and Instagram. This started rumours that Priyanka and her husband Nick Jonas are heading for a divorce. In an interview with an entertainment portal, Priyanka's said, “These divorce rumours are all amusing. Priyanka is using her first name because she wants to use that in her future projects. There is no truth to any other speculation. Also, she’s not only dropped 'Jonas' but 'Chopra' as well on social media.”

On the work front, Priyanka is awaiting the release of Citadel and The Matrix Resurrections. She will also start shooting for Farhan Akhtar’s Jee Le Zara along with Alia Bhatt and Katrina Kaif.

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Seedhe Maut: How Delhi’s hip-hop firepower duo have their finger on Gen-Z’s pulse

In their 2017 debut mixtape 2 Ka Pahada, New Delhi duo Seedhe Maut’s Encore ABJ and Calm delivered one of their most insightful lines, on the closing track 'Keh Chuka, Pt. 1.' It goes: “Vo darta tha ki kal ko nark me jaaye, toh shaitan ka chehra jaana pehchana na lage.”

In a vox pop conducted to aid this feature, two different respondents quoted the same line by Encore ABJ as their favourite Seedhe Maut lyric. Vinayak Tripathi from Jaipur says, “If Encore didn't rap, but was a poet, I'd probably still be a fan. The guy doesn't even need the rhythm to impress me, just his words do the trick.” Raunak Agrawal, another listener from Jaipur, opines on the same ‘Keh Chuka, Pt 1’ lyrics and adds, “[I like] the sheer beauty in the craftsmanship, and the depth of the emotion.”

Seedhe Maut have been releasing music since 2017, starting with the emphatic ‘Seedhe Maut Anthem’ in which they pitched their flag for all to see. They were undoubtedly pushed to explore a confident, no-holds-barred sonic identity thanks to producer Sez On The Beat. After signing with Azadi Records, work began on what would become their 2018 debut album Bayaan. Songs like ‘Shaktimaan’ and ‘Kyu’ were quick to capture the aggro, mosh-ready energy of young audiences around the country, specially in Delhi at a time when DIVINE and Naezy had made Mumbai synonymous with gully rap, and hedonistic Punjabi hip-hop was all the rage countrywide.

Also read: Raftaar on creating Ghana Kasoota, his new song GOAT, and music label Kalamkaar

To introduce Bayaan, the duo released a two-minute song called ‘Kranti’ in late 2018, in which Encore briefly talks about ditching any idea of joining law enforcement authorities in favour of rapping. Songs like ‘Pasnkh’ and ‘Uss Din’ showcased an emotive, introspective side to the duo, creating a vulnerability in their rap that was refreshing, and of course, endearing. Calm says the topics they choose just happen to resonate with younger audiences, and it is not necessarily a focused attempt to write for an audience. “We don’t necessarily care about what theme we go for, we don’t keep the audience in mind while thinking up a theme. We make a track on our terms, and accordingly, our audience perceives us. This is what I think,” he explains.

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Calm and Encore also teamed up with fellow Azadi labelmates Prabh Deep and Sez On The Beat (who later left the label to start his own imprint The MVMNT) for ‘Class-Sikh Maut, Vol. II,' a follow up to the 2017 song off '2 Ka Pahada.' Everything about the song – from the 4chopped-up tabla beat to lethal flows from Encore, Calm, and Prabh rocketed ‘Class-Sikh Maut, Vol. II’ straight into Indian hip-hop lore, making it a must-hear intro to everything that was going on outside of Mumbai’s hip-hop takeover.

Most of 2019 was spent promoting Bayaan heavily, paired with a few singles like ‘101’ and ‘Saans Le,’ which cemented their place further. They collaborated with MC Delhi Sultanate (from Ska Vengers) for a sublime takedown of mob lynching and Hindutva extremism on ‘Scalp Dem,' showing they were not afraid to speak their mind about the happenings in the country either.

Also read: How 'genres', once considered reductive in music, are undergoing tectonic shifts today

The steady flow of releases perhaps created an important lesson which Seedhe Maut carried forward into 2020 and 2021, becoming new discoveries for many due to the regular digital presence and collaborations with the likes of Ritviz (‘Chalo Chalein’), Sickflip (‘Roshni’), Karan Kanchan (‘Dum Pishaach’). Calm says, “One thing we’ve learned about thriving in the digital space is you have to be consistent. It’s not like you’re taking four or five months to drop a project. After one month, you put a track out so that your fans know you’re working hard, and it’s going on.”

By July this year, the duo were selected as part of YouTube’s artist development program Foundry. It was right around then that they dropped ‘Nanchaku’ with Pune’s MC Stan. It currently stands as Seedhe Maut’s most popular song yet, garnering over 7.8 million views on YouTube. The slinky production is the launchpad for staggering turns at the mic by Encore and Calm, who reference everything from being undefeatable to the basketball greats to cancel culture and freedom of speech.

An intentional contrast of styles was obvious when Stan delivers his verse, his mumble rap-inspired, immodest lyrics more in line with the misogynistic style of American artists over decades. Indian women rappers called out Stan for using words like r*nd, and also Seedhe Maut for working with the Pune rapper, but the duo see it differently. Encore says, “As far as we’re concerned, we always hold our values, and reflect those values in our songs.

We always express what we feel openly. In the same way, we don’t stop or inhibit another artist to express what they’re about. That’s what hip-hop is about, I feel. Everyone has the right to say things, and everyone should take things a little less personally and be in the spirit. That’s the only way we’re going to grow.”

Calm says the numbers behind ‘Nanchaku’ definitely motivates them, as it should with all artists. “It creates a momentum that we want to carry forward, which we’re doing. As soon as ‘Nanchaku’ came out, we wanted to drop more tracks, and after that, we worked on न, which was our mixtape, and we put it out as soon as possible. We gotta work using the momentum, and plan things out.”

Featuring 10 tracks, and previously released singles which were all named with the sound न, there is an evolution and finessed sense of verbosity in Seedhe Maut’s lyrics in 2021. Their chopper flow and clever twisting of Hindi proverbs and the like make listeners imbibe a lot from each and every verse. Encore says their vocabulary and lyric building comes from everything they have learned growing up. “Whatever we’ve read in our childhood, our books – storybooks, even our textbooks, literature in Hindi and English in school… it’s all about how much interest you have in studying, and those things registering themselves in your mind. It’s never been unnatural. And how we were brought up, that reflects in our art,” Encore says.

7

Seedhe Maut have also wrapped up a full-length collaborative album with Ritviz. Calm says about the record, “Usually, it’s Encore and me working on a record, and there’s no third person involved. This time, there was a third person, and it felt like we were one entity working together. All of us, we were listening to each other and made each other feel comfortable so that we could all be on the same page. That was always necessary. It wasn’t something we haven’t dealt with before though. It was smooth and nice.”

Even as they head out on a multi-city tour at Hard Rock Cafés in cities ranging from Chandigarh to Bengaluru to Mumbai, fans are populating social media asking for shows in Jharkhand, Bhubaneswar, and more cities where indie musicians have never usually made stops. Seedhe Maut might just be among the artists who change that. Encore adds about plans for 2022, “Expect a lot more shows, a couple of albums, and a lot more singles along the way.”

Anurag Tagat is a Bengaluru-based independent music journalist, covering artists nationwide and around the globe. He is also an assistant editor at Rolling Stone India.

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Jokes Apart | How Vir Das’ journey to the West has been more authentic than Priyanka Chopra’s

What a columnfest this has been. Vir Das’ six-minute Two Indias ‘poem’ has been written about more than any fragment of pop culture in recent times. It’s become a catchphrase, like ‘Chak De India’. Whether we agree or disagree, it’s seeped into the nation’s conscious and subconscious headspace. When former Lok Sabha speaker Meira Kumar says that there are two kinds of Hindus in the country, those who can enter temples and those who cannot, the statement has shades of what Vir said.

While I’ve always insisted that bad writing should be made a non-bailable offence, I’ll make an exception here. A minister has banned Das from performing in Madhya Pradesh; police complaints have been filed elsewhere. This means Vir can perform in Kennedy Centre but not in Bharat Bhawan. Considering an average Vir Das world tour spans more than 20 countries in six continents, a fat amount of difference will make it to him. It’s still a pity though given that Bharat Bhawan is such a nice open-air venue. I remember tagging along with my parents for poetry festivals there and watching plays in the amphitheatre against the backdrop of the lake.

‘Defaming the country’ is a flimsy subjective pretext to file a complaint against someone. Twitterati, columnists, rappers, filmmakers, writers, all critique India and have a right to do so as citizens and creative people. We live in the time of a million memes, which send up someone or the other every single minute on social media. In many ways, we live in less hypersensitive times. But it’s also true that in the North Pole/ South Pole landscape of Twitter, outrage is daily fodder. Once outrage is monetised, it’s easy to manipulate.

I don’t think Das set out to create controversy. I don’t think he had any idea that it would become as big as it did. He’s done far better work. There was no mimicry in the poem he read, one of his strengths. There is a sketch where he invents a religion called Chrislaam. It features a side-splitting moment where he mimics singing Hallelujah as it segues into the muezzin’s call to prayer. Now, that was really funny and ‘offensive’, like all comedy should be.

I felt that most outrage stemmed from that old Indian affliction: Jealousy. The outrage of self-styled patriots who use the word ‘anti-national’ as a default word for everything they disagree with is predictable. I was more fascinated by the liberals who dissed Vir. The hyper-Westernised Indian liberal, generally speaking, does not like anything that is homegrown (more on this in a bit). Everything that is good in art and culture happens in the West. Indians playing with foreign art forms, like stand-up comedy, are seen as pale copies. Indians can never match up. Watch Norm Macdonald.

What irritated both sides was the applause Vir got at the end of the show. Out of that jealousy came the backlash. There is a moment when he leaves the stage and returns, the auditorium still thundering. While Vir insisted the clapping was for India, the Great Country, he had also, deploying the guile of a good performer, redirected the applause to himself.

Comedy is a business, like politics. Eventually one is selling a product, even though the politician will couch his marketing spiel in lofty and noble terms. As a social commentator, the comedian’s material is intertwined with the political scenario. If the politics is polarised, the comedian’s audience also arrives pre-polarised. The comedian has to choose her constituency and speak to it. A fundamental choice has to be made and Vir has made that choice, much like all American late-night talk show hosts. What is lacking on the Right, whether in India or America, is its own vibrant stand-up culture.

What distinguishes American comedy is that it has no holy cows. To take just one example, watch this clip on YouTube where Jimmy Kimmel is interviewing Stormy Daniels. Stormy has written a memoir where, among other things, she writes in detail about an intimate encounter with America’s Commander-in-Chief, including spanking him, on his request, with a rolled-up magazine. The clip ends with Kimmel displaying a tray with models of the male organ (clay or rubber I couldn’t tell) in different sizes. Stormy has to choose the one that comes closest. This kind of humour is unimaginable in India. It does show though how harmless humour is. The American state is alive and kicking despite this ‘assault’ on the President’s privacy.

Vir belongs to my generation: We are both in our 40s. What makes him special is that he is completely homegrown. In the noughties, I remember watching him at 7 pm on a channel called Zoom. We had hardly seen any stand-up before we saw him. Vir would deliver gags about issues of national importance like weird punishments in Doon School. He was putting his act together. He had acting ambitions as well, featuring in a film called Mumbai Salsa. It’s been quite the journey since then; Das has appeared as a guest and performed his sketches on every single American late-night show, no mean achievement given how insular America is. He has a bunch of Netflix specials to his name, which has given him a global audience.

His journey to the West has been more authentic than Priyanka Chopra’s. Piggy Chops changed her accent. She also lowered the bar for the kind of work she was doing there. Baywatch is not Vishal Bhardwaj’s Kaminey. Das has stuck to his accent and not tailored his jokes for a foreign audience. He’s just kept doing what he was doing and managed to take it to the world. To that extent, the bi-lingual urban Indian feels a kinship with him. He’s not an NRI comedian whose jokes are palpably different, often speaking to the foreign audience’s stereotypes of India, from chaos and colour to arranged marriages and the Indian accent. Vir does not do the Indian accent joke because he speaks in an Indian accent and does not find it funny. To that extent, Das reverses what NRI comedians do. He gives us on our own terms. He uses the f-word like we do in Hinglish speech.

As for the art of stand-up comedy, I personally prefer reading humour far more than seeing it acted out on stage. It’s too taxing to watch a Netflix special — one man going on and on for an hour and a half. If one is in the audience, there is the curious pressure of other people laughing. The collective forces one to shake uncontrollably, giggle and guffaw for the cameras. The laughter has to be externalised and visible.

There are these warnings on the back cover of ‘funny books’: ‘This will make you laugh out loud’; ‘Don’t read this on the subway. Your laughter might disturb fellow passengers.’ The truth is that this rarely happens. Reading is a private act. Instead of baring a grin, one chuckles quietly or laughs silently, the best medicine for the soul.

The writer is the author of ‘The Butterfly Generation’ and the editor of ‘House Spirit: Drinking in India’. Views expressed are personal.



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