Sunday, May 31, 2020

Former welterweight champion and hall of fame boxer Curtis Cokes dies at 82

Curtis Cokes, the Hall of Fame welterweight who became Dallas’ first world champion in 1966, has died. He was 82.

Erwin “Sparky” Sparks, Cokes’ partner at the Home of Champions gym, told The Dallas Morning News that Cokes died Friday after a week in hospice.

World Champion Welterweight boxer Curtis Cokes during training for his fight against Joe Napoles, in Los Angeles on April 9, 1969. (AP Photo)

Cokes took the World Boxing Association welterweight title in 1966 belt with a unanimous decision over Manny Gonzalez in New Orleans and added the World Boxing Council crown three months later with a unanimous decision over Jean Josselin at Dallas’ Memorial Auditorium.

Cokes lost the titles to Jose Napoles in 1969 at the Forum outside Los Angeles, and dropped a rematch soon after in Mexico City.

Inducted into the International Boxing Hall of Fame in 2003, the 5-foot-8 Cokes fought 80 times from 1958 to 1972, finishing 62-14-4 with 30 knockouts. He later trained fighters at his gym.

Cokes starred in basketball and baseball at Dallas' Booker T. Washington High School.



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Coronavirus Outbreak: ECB welcomes UK government's decision to resume cricket behind closed doors

The ECB has welcomed the UK government's decision to allow the resumption professional sports behind closed doors which allows the board to go ahead with its plan of hosting international cricket starting next month.

In the latest health and safety guidelines designed to prevent the spread of coronavirus, Secretary of State for Digital, Culture, Media and Sport Oliver Dowden on Saturday gave the green light for live competitive sport to return behind closed doors in safe and carefully controlled environments from 1 June.

Representational image. Twitter @ecb_cricket

"We are extremely heartened by Saturday's announcement from the Secretary of State, which will support the return of professional, domestic cricket behind closed doors, and provides a meaningful next step for recreational players to begin playing at their clubs again," England and Wales Cricket Board (ECB) said in a statement.

The board added that it will study the guidelines laid down by the government to safely resume the game.

"Over the coming week, we will seek to understand the specific guidance from Government's medical teams so that we can provide support for cricket clubs who will be eager to see their communities safely playing in small groups."

"We extend our thanks to all those in Government who have worked hard to support the return of sport and we look forward to seeing players from across the game start returning to the field," it added.

Despite the pandemic delaying the start of their home season, the England and Wales Cricket Board (ECB) plans to stage a full international programme that includes three-Test series against West Indies, scheduled to start on 8 July, and Pakistan as well as limited-overs internationals against Australia and Ireland at 'bio-secure' venues.

Last week, the ECB named 55 players who have been asked to resume outdoor training to prepare for cricket behind closed doors.

However, the board pushed back the start of the domestic cricket season to 1 August.



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Coronavirus Outbreak: Jasprit Bumrah says bowlers need an alternative to saliva for maintaining the ball

Premier India pacer Jasprit Bumrah won't miss the hugs and high-fives as part of a wicket celebration but he will certainly miss applying saliva on the ball and feels an alternative should be provided to maintain the red cherry.

Bhuvneshwar Kumar said Indian team is taking every possible precaution against coronavirus outbreak. AP

The ICC Cricket Committee, led by former India captain Anil Kumble, recommended a ban on using saliva on the ball as an interim measure to deal with the COVID-19 pandemic. However, the Committee did not allow the use of artificial substances as a substitute move.

The new rule makes life tougher for the bowlers and Bumrah, like many former and current fast bowlers, feels there ought to be an alternative.

"I was not much of a hugger anyway and not a high-five person as well, so that doesn't trouble me a lot. The only thing that interests me is the saliva bit," said Bumrah in a chat with Ian Bishop and Shaun Pollock on ICC's video series Inside Out.

"I don't know what guidelines we'll have to follow when we come back, but I feel there should be an alternative," he added.

Bumrah said not being able to use saliva makes the game more batsman-friendly.

"If the ball is not well maintained, it's difficult for the bowlers. The grounds are getting shorter and shorter, the wickets are becoming flatter and flatter.

"So we need something, some alternative for the bowlers to maintain the ball so that it can do something - maybe reverse in the end or conventional swing."

When former West Indian pacer Bishop pointed out that the conditions have been favourable to the fast bowlers over the last couple of years, Bumrah nodded in agreement.

"In Test match cricket, yes. That is why it's my favourite format, because we have something over there. But in one-day cricket and T20 cricket... one-day cricket there are two new balls, so it hardly reverses at the end.

"We played in New Zealand, the ground (boundary) was 50 metres. So even if you are not looking to hit a six, it will go for six. In Test matches I have no problem, I'm very happy with the way things are going."

He finds it amusing that the batsmen keep complaining about the swinging ball.

"Whenever you play, I've heard the batsmen - not in our team, everywhere - complaining the ball is swinging. But the ball is supposed to swing! The ball is supposed to do something! We are not here just to give throwdowns, isn't it? (laughter)

"This is what I tell batsmen all the time. In one-day cricket, when did the ball reverse last, I don't know. Nowadays the new ball doesn't swing a lot as well. So whenever I see batsmen say the ball is swinging or seaming and that is why I got out - the ball is supposed to do that.

"Because it doesn't happen so much in the other formats, it's a new thing for the batsmen when the ball is swinging or seaming," said the 26-year-old.

The Ahmedabad-born pacer finds himself in an unusual position as he has not bowled for over two months due to the lockdown imposed in the wake of the coronavirus outbreak.

When India will play next is not clear yet and Bumrah said he is not sure about how his body will hold up when he returns to action.

"I really don't know how your body reacts when you don't bowl for two months, three months. I'm trying to keep up with training so that as soon as the grounds open up, the body is in decent shape.

"I've been training almost six days a week but I've not bowled for a long period of time so I don't know how the body will react when I bowl the first ball.

"I'm looking at it as a way to renew your own body. We'll never get such a break again, so even if you have a small niggle here and there, you can be a refreshed person when you come back. You can prolong your career," he said.

Bumrah has risen rapidly in international cricket despite experts having reservations about his longevity due to his unorthodox action.

The gritty fast bowler sees similarities in his career graph to Swedish football star Zlatan Ibrahimovic.

"Our personalities are a different. But the story I could relate to is that not many people thought he would make it big. There was a similar case with me growing up as well.

"Wherever I went, it was the general feedback from people that 'this guy would not do anything, he would not be a top-rated bowler, he won't be able to play for a long period of time with this kind of action'.

"So, having the self-belief is important and the only validation that is required is your own validation. I saw that in his (Ibrahimovic's) story, so that's the thing I could relate to," added Bumrah.

Bumrah reveals reason behind short run-up

India pace spearhead Jasprit Bumrah says his short run-up is a product of his youth when playing backyard cricket gave him little space to build up a head of steam but his approach allows him to bowl long spells in Tests without compromising on speed.

The right-arm quick consistently bowls above 140kph despite his relatively brief run-up, and batsmen find him particularly tricky because of his unorthodox sling-arm action.

“The run-up is because of playing in the backyard,” the 26-year-old said in the International Cricket Council’s Inside Out interviews’ video series.

“We didn’t have a lot of space when I used to play as a child. This was the longest run-up you could have, so maybe that could be a reason.

“I’ve tried a longer run-up and nothing changes - the speed is still the same. So why run so much?”

It comes especially handy in Test matches, he said.

“When I’m bowling my fourth spell, fifth spell, I’m relatively more fresh than the bowlers who play with me and have a longer run-up. This was my theory.

“This is not the best thing I should say but I am bowling quicker than them in my fourth spell as well. So I think I should stick to it.

“If I have some physical difficulty and if it’s giving me some trouble, then I’ll find solutions. But if it’s not broken, why fix it?”, he said.

With inputs from agencies

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Insecure actor Kendrick Sampson says he was hit by rubber bullets by police while protesting George Floyd's death in Los Angeles

Actor Kendrick Sampson, who stars in HBO series Insecure, was struck by rubber bullets as Los Angeles police officers tried to disperse a crowd protesting George Floyd's death in Minneapolis.

Floyd, a black man, died last Monday in Minneapolis, Minnesota after a white police officer pressed his knee on his neck for more than eight minutes. The officer was arrested on Friday and charged with third-degree murder.

The actor went live via Instagram on Saturday to show his view of events, but he could be also be seen on a CNN broadcast simultaneously, with viewers watching him get hit by a police baton on TV.

Sampson posted several videos on his page of a large demonstration at Pan Pacific Park near the city's Fairfax District, where violent clashes took place throughout the day outside the Grove shopping center.

In one video, LAPD officers can be seen firing rubber bullets to try and regain control at the park.

“They shot me four times already. I already got hurt and I got hit with a baton,” Sampson said in the video on Instagram.

Another clip showed him moving away from the police, as he appeared to be hit by an officer”s baton.

“Y”all aint see no police f*****g up white folks when they took guns to the statehouse,” he said, referring to an incident in Michigan over coronavirus restrictions, not in California. “Yall didn”t see police attacking white folks, beating em up with batons, shooting them with rubber bullets when they brought guns to f*****g state houses. We came up here with no weapons, with masks.… And we're the ones who are not peaceful,” Sampson alleged.

Here is his posts

He tweeted a link to a news report on Twitter and wrote that he was attacked seven times with the rubber bullets and was also hit by batons.

Here is his tweet

Protests turned violent over Floyd's death and other police killings of black people spread Saturday in dozens of US cities, with police cars set ablaze, reports of injuries mounting on all sides, shops and showrooms vandalised amid the lockdown.

CNN writes that 40 cities across the US have imposed a curfew in response to the protests and National Guard members have been stationed in 15 states and in Washington DC.

(With inputs from Press Trust of India)



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Coronavirus Outbreak: Maharashtra allows films and TV shoots to resume with social distancing guideliness in non-containment zones

Maharashtra government on Sunday announced film and television shooting could resume in non-containment zones as a part of the relaxations that the state would undergo in June.

(Click here to follow LIVE updates on coronavirus outbreak)

Issuing a Government Resolution (GR), the Cultural Affairs Ministry said that producers will have to conduct pre-production and post-production works by adhering to the guidelines laid down by the government.

"Violation of the rules will lead to stopping of the work," it said.

Producers will have to apply to managing director of the Maharashtra Film, Theatre, Cultural Development Corporation,the Dadasaheb Phalke Chitranagari in Goregaon, Mumbai, and to district collectors outside Mumbai for resuming shootings.

The order stated that social distancing norms will have to be followed strictly with focus on personal hygiene. The guidelines include maintaining 33 per cent crew (which will not include the main cast) on set, all staff members to carry identification cards and Aarogya Setu app downloaded on their compatible devices, reports The Indian Express.

The compulsory six feet distance between the crew members and wearing masks rules should be in place. All doors and gates will be manned by security guards to minimise touching of the doors and handles.

"Crowd cannot be allowed to be gathered while shooting is on. Norms have to be adhered to while using air conditioning system (on sets). Precautions need to be taken while transporting shooting equipment, artists and technicians," the GR said.

Ambulance, doctors and nurses are compulsory inclusions on the sets, while a dedicated personnel would be required to keep a check on the temperature of cast and crew. Any pregnant employee or an employee whose spouse is expecting, actors above the age of 65 will not be allowed on the set. No audience will be allowed for fiction or nonfiction programming. Artists have been advised to reduce their support staff to one on sets.

The entertainment industry has welcomed the state government’s decision and guidelines.

Earlier in the day, the state government extended the lockdown in containment zones till 30 June and announced easing of restrictions and phase-wise resumption of activities in non-containment regions under the "Mission Begin Again".

(With inputs from Press Trust of India)



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From Harry Potter at Home to Mondays with Michelle Obama — celebrity read-alouds to spark a love of books

We love stories, and even in the age of Netflix-and-chill, there's nothing like a good book that promises a couple of hours of absorption. This week, we round up celebrity read-alouds that you can tune in to. Happy reading/listening!

For more of our weekly book recommendations, click here.

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Harry Potter at Home

Global icons record videos of themselves reading the first of the series, Harry Potter and the Philosopher’s Stone/Sorcerer’s Stone. The first chapter is read by Daniel Radcliffe, with more readings by Stephen Fry, Eddie Redmayne, and Alia Bhatt among others.

See the videos here.

#ASonnetADay by Patrick Stewart

Receiving a positive response to his reading of Shakespeare’s 'Sonnet 116', Patrick Stewart decided to start with the first of his 154 sonnets, reading one each day.

Emilia Clarke’s poetry reading series

Game of Thrones actor Emilia Clarke has started a poetry reading series on her Instagram account, inviting more performers to read and talk about a poem, and discuss the work of a charity that means something to them. So far, besides her, there have been readings by Idris Elba, Helena Bonham Carter, and Andrew Scott, among others.


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The beautiful, breathtaking talent that is Andrew Scott reads for us ‘Everything is Going to be All Right’ by Derek Mahon. Andrew has asked to dedicate this to Men Against Cancer Ireland https://macprostatecancersupport.ie/men-against-cancer/ Andrew we salute you! 🕺 It comes under the prescription for need for reassurance. Here’s how it reads as written in the book @thepoetrypharmacy @thepoetryremedy There are moments in life when the banal suddenly, and quite without warning, becomes the transcendent. Perhaps a shaft of afternoon light paints a familiar view an unfamiliar gold; perhaps dust in a sunbeam or the dance of sparks above a fire transport you, for a long instant, to somewhere else altogether. The almost magical-seeming reflections of ripples on a ceiling are transfixing in just the same way. In moments like these- awe-struck moments when the ferocious beauty of the everyday catches us unawares- we are often moved to a reassessment. One flash of sunlight can be all it takes to give us the sense of possibility that can change everything. As a great sufferer from depression myself, I find a small moment like this, a sudden splash of serenity and beauty, can provide the impetus needed to run my mood around. Not completely, perhaps, and not permanently- but sometimes a small push is all any of us is waiting for. Derek Mahon’s poem ‘Everything is Going to be All Right’ describes wonderfully the feeling of that little push and reassessment. And there’s something hugely powerful, too, about its final line. When my children are suffering and I hold them in my arms, it seems to be the most natural mantra in the world: Everything will be all right. There’s a comfort to those words, whether or not they’ll prove to be true. OF course, some wounds don’t heal, and some wrongs go un-righted. But in the grander sense, in the everything sense, things to tend to be all right. Too often, our pain is either in our heads or magnified beyond all proportion. If we can learn to manage it, if we can find that oasis of calm in the reflection of the waves, then we might find that out problems are not as all-consuming as we imagined. Thank you thank you Andrew!

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Andy Serkis’ Hobbitathon

In an effort to raise funds for NHS Charities Together and Best Beginnings, Andy Serkis, on 8 May, embarked on a 11-hour live storytelling endeavour, reading the entire The Hobbit. To help the charities, Harper Collins and the Tolkien Estate have given permission for 'Chapter Five: Riddles in the Dark', to be released on YouTube.

This video will only be available till 14 June.

James and the Giant Peach with Taika and Friends

In support of Partners in Health, Academy Award-winning filmmaker Taika Waititi reads Roald Dahl’s James and the Giant Peach across 10 episodes. Joined by guest readers on each episode, videos release every Monday, Wednesday, and Friday.

Save with Stories

To help the almost 30 million vulnerable children in the US who depend on school for food and are now struggling because of COVID-19 related school closures, Jennifer Garner and Amy Adams launched Save with Stories in March on Instagram. The account now has over 250 posts, of different celebrities reading children’s books, not only to entertain kids while they’re at home, but also to support Save the Children and No Kid Hungry.


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“The Three Little Fish and the Big Bad Shark” by Ken Geist, illustrated by Julia Gorton (published by @scholasticinc) . THIRTY MILLION CHILDREN rely on school for food. Responding to the needs of kids during school closures, @savethechildren and @nokidhungry have a new fund @SAVEWITHSTORIES to support food banks, and mobile meal trucks, and community feeding programs with funds to do what they do best—and also—with educational toys, books, and worksheets to make sure brains are full, as well as bellies. . If you can manage a one time gift of $10, please text SAVE to 20222. If another amount would work better for you, please visit our website—link in bio. There is no maximum and there is no minimum—together we will rise and together we can help. . Thank you and stay safe. XX #SAVEWITHSTORIES

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Mondays with Michelle Obama

Former US First Lady Michelle Obama has been reading picture books for children every Monday since 20 April. “I'm thrilled to share some of my favourite children's books and give kids an opportunity to practise their reading (while giving families a much-needed break!),” she said in a tweet.

Julie’s Library

Julie Andrews, with her daughter, bestselling children’s author and educator Emma Walton Hamilton, launched the podcast called Julie’s Library in April. Aided with sounds, music, activities, and special guests, they read their favourite children’s books, with the podcast aiming to inspire conversation and a lifelong love for reading.

Listen here.

Tom Hardy and CBeebies Bedtime Stories 2020

When Tom Hardy began reading aloud for CBeebies Bedtime Stories back in 2016, it proved to be incredibly popular among young fans. As coronavirus crisis imploded, the Mad Max actor decided to return with new readings to keep children engaged during a difficult and confusing time (while also giving their parents a break). His weeklong "storytelling residency",  from 27 April to 1 May, including titles like The Problem With Problems (by Rachel Rooney and Zehra Hicks) and Under the Same Sky (by Robert Vescio and Nicky Johnston).

Goodnight with Dolly

Tucked into bed, Dolly Parton reads bedtime stories for children, chosen from Imagination Library books. “I think it is pretty clear that now is the time to share a story and to share some love. It is an honour for me to share the incredible talent of these authors and illustrators. They make us smile, they make us laugh and they make us think,” she says about the 10-week initiative.



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Tovino Thomas on Hindutva groups wrecking his film set: 'I believe this is the first and last time such a thing will happen in Kerala'

If all had gone well this year, actor Tovino Thomas would have been looking forward right now to the Onam release of Minnal Murali

Instead, the final shoot schedule of this Malayalam film directed by Basil Joseph was delayed due to the lockdown during the ongoing COVID-19 pandemic. Minnal Murali’s team was set to complete their work as soon as restrictions are lifted. Then, just days back, members of Hindutva groups claimed responsibility for destroying a church created as a set for Minnal Murali in Kalady in Kerala’s Ernakulam district, because they were offended that it  stood near a Hindu religious site. They even proudly posted photographs of their vandalism on Facebook. An anguished Thomas wrote on the social media platform that day: “We’ve heard of movie sets being vandalised by religious fanatics in Northern parts of India. Now, it’s happening to us right here.” 

In the land of the coconut palm, a state that prides itself on its literacy rate, religious pluralism and resistance to right-wing forces in elections, this instance of anti-art violence by fundamentalists has come as a bolt from the blue.

Tovino Thomas

Tovino Thomas

“It is shocking that something like this would happen in Kerala,” says Thomas, in a telephone interview. “It began in March around the time the lockdown started, when the Kalady Panchayat president received a letter from a group called Antharashtra Hindu Parishad objecting to our set. We thought, ‘this is Kerala, nothing will happen here.’ We assumed this is some random group trying to get famous, and we ignored the threat since we had all the necessary permissions.” This confidence, it turns out, was misplaced.

Thomas, who is currently one of the busiest young stars in the Malayalam film industry a.k.a. Mollywood, is clearly still reeling under the after-effects of the incident during our extended phone conversation. “Shocking” ... “Shock” ... “Shocker” ... Variants of the same word pepper his comments, as do repeated assertions of incredulity that this incident took place in, of all places, Kerala. “Even if such a letter had come, we never imagined that something like this (the destruction of a set) could happen in Kerala,” he says. “This is unusual for Kerala, it is a first of its kind. So we were shocked.” 

The vandalised set (right) of Minnal Murali in Ernakulam. Images from Twitter @ttovino

The vandalised set (right) of Minnal Murali in Ernakulam. Images from Twitter @ttovino

Long-time observers of the state will know where Thomas’ dismay and disbelief are coming from. Kerala, after all, is India’s last remaining Communist bastion and its formation has voted in either a Congress or Left-led government to run the state . BJP has not managed to form a government here in the 40 years of its existence. In fact, it was only in 2016 that the party won its first ever Assembly seat in this state. 

But that lone election win of the self-professed Hindu nationalist party and the strong on-ground violent resistance to the Supreme Court’s 2018 ruling allowing women to enter the Sabarimala temple are among many indicators of what realists in Kerala already know: that religious fanaticism is not alien to Kerala, that there are strong, long-running undercurrents of tension between the state’s three major religious communities – Hindus, Muslims and Christians – and that despite high education levels, it has taken great vigilance on the part of secular forces combined with an X Factor in Malayali culture to ensure that episodes like the one involving Minnal Murali are not commonplace. Still, the complacence that led the Kalady/Ernakulam administration and Minnal Murali’s producers to remain unruffled after the threatening letter sent by AHP to the Panchayat is a luxury that the state can ill afford.  

When I ask Thomas if recent developments across the world, from the US to India, have been a warning bell for Kerala on the fragility of democracy, and how hard this coastal state needs to work to preserve and protect its status quo, he becomes philosophical. 

“The human race came millions of years back, even the oldest religions date back maximum thousands of years. So we lived and survived millions of years without religion,” he says. “We need to spread awareness about these matters among people so that they understand that humanity is above all religion.”

Although Thomas speaks in abstract terms, he still makes no bones about the fact that he is questioning religion as a concept and practice. 

“Religion and politics are infrastructures that came into existence for the well-being of communities, so when people use that same infrastructure to hurt others and to fight amongst themselves, it amounts to misuse,” he says. “I heard this quote, ‘When you start believing, you stop thinking. When you start thinking you will stop believing and you will understand things.’ That is what people in our country need.”

The 31-year-old sounds earnest as he adds quietly: “People should understand each other and live in a peaceful society – that is what I dream of. It won’t happen until they start using their brains. The infrastructures set up for our good are being used by many for their political or business strategies."

Thomas says that reading Yuval Noah Harari’s Sapiens changed his perspective on these matters. “We are all gathering together based on a myth, a belief,” he explains. “Because to get 100-150 people to gather, you need an ideology, a belief. And that ideology was started for the well-being of human beings but is now being misused.”

The attack on Minnal Murali could well be simply a display of strength and a publicity gimmick by right-wingers, since such aggression against Bollywood films has served a similar purpose for similar  organisations in north India and Maharashtra for several decades. However, it is worth considering whether the attack is a backlash against Mollywood, which has actively, at least in the 2010s, upped its efforts at community representation especially in the middle-of-the-road cinema movement spearheaded by the likes of Aashiq Abu, Lijo Jose Pellissery and Anjali Menon. 

In an interview on Firstpost, Mollywood star Parvathy told me that greater sensitivity and inclusion in Malayalam cinema in recent years has played a part in keeping bigotry in Kerala in check. Malayala thanima (typical Malayali tradition) does not mean Thrissurile oru mana (an upper caste family home in Thrissur) and a main character is the head of that tharavadu (old household), that’s it. For years we had only one narrative while representing Keralatham (the idea of Kerala) or Malayala thanima. Now we get every aspect of different communities and their stories being told as a regular story, not an exceptional story,” she said. “The ordinariness of each minority is shown in our popular culture a little more, and that has had a lasting impression on people.”

Not everyone is as pleased as Parvathy and the viewers who have made such films a hit. When Pellissery’s Angamaly Diaries was released in 2017, the reviewer of a TV channel seen to be close to RSS had accused the film of featuring excessive Christian imagery, which is an odd criticism considering that the hero was a Christian as a result of which references to his community, its socio-cultural and religious practices were inevitable. That the journalist in question was widely lambasted speaks volumes about popular opinion in Kerala, but like the offensive against Minnal Murali’s set, that bizarre critique too was a reminder of the presence of such voices, however marginal they may seem, and a fore-warning that the state’s secularists would do well to heed. 

In the matter of Minnal Murali, the Kerala Police arrested three people immediately after the incident, a case has been reportedly registered against seven, Kerala Chief Minister Pinarayi Vijayan roundly condemned the violence and promised strict action against the perpetrators, leading Mollywood personalities have been vocal in their support, and in an act of solidarity, representatives of two film industry bodies met the police, asking them  to act swiftly against the culprits. 

This overwhelming response has given the team of Minnal Murali the impetus to proceed legally, says Thomas, adding, “It is because of all this that I believe this is the first and last time such a thing will happen in Kerala.” And then: “I am almost sure this will not happen again. Because the culprits have been arrested within a few days, everything that needs to be done in response has been precisely done.” 

As he attempts to recover from this setback, Thomas speaks passionately about his coming films. His first release after the lockdown is lifted will be Kilometres and Kilometres, in which he stars as a youngster from Kottayam who is hired to take an American traveller on a tour of a dozen or so Indian states on his Royal Enfield Bullet motorcycle. And then there is the project that has been disrupted by the unexpected interference of religious bigots. In Minnal Murali (Lightning Murali), Thomas plays the eponymous rural hero from  Wayanad who develops extraordinary powers when he is struck by lightning. Initially he uses his powers for his selfish ends, but soon becomes conscious of his social responsibility. 

Although Minnal Murali has been stalled, Thomas remains cautiously optimistic. He is aware that the present socio-political scenario in India is fraught with communal tension, but has faith that his state will hold strong. “I do not think it will be possible to fool people in Kerala in the name of religion,” he says. “I still have hope.



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Why Inhuman Resources, Netflix's Eric Cantona-starring thriller, makes for cathartic viewing during global crisis

Twenty-five years ago, during a club football game, the French soccer star Eric Cantona unleashed what came to be known as the infamous flying "kung-fu kick", on the racist football hooligan Matthew Simmons, after being taunted by the Englishman on his foreign origins.

Cantona was known for his dominant on-field presence, opportunistic goal-scoring ability and his mercurial personality both on and off the football field. "If I'd met that guy on another day, things may have happened very differently even if he had said the same things. Life is weird like that," Cantona had remarked later during an interview, provocatively describing this assault on the fan as one of the "happiest moments" of his life.

The aftermath of this event nearly ended Cantona's fabulous stint of 80 goals and four league victories for Manchester United. His future with the French national team was also threatened because of the incident. After his international career was over, Cantona reinvented himself as an actor and a filmmaker, working in theatre, collaborating with filmmakers such as Shekhar Kapoor and Ken Loach, while independently directing several documentaries.

The mercurial persona of Cantona has been reinvented recently, albeit in a fictional narrative, in a new miniseries called Inhuman Resources (original title Dérapages) launched by Netflix on 15 May 2020. Cantona plays a middle-aged HR manager called Alan Delambre; after losing his job, Delambre is forced into underpaid wage-labour in the course of which he faces daily harassment.

Eric Cantona in Netflix's Inhuman Resources

Eric Cantona in Netflix's Inhuman Resources

Amidst the everyday indignities and the threat of losing his apartment, Delambre experiences depression, anxiety, and relationship problems. So, when offered a new HR job by a big corporate, he is desperate to grab the job at any cost. However, he is shocked to learn that the intentions of his employers are sinister and far from honourable. Realising that he is being used to launch a fake hostage drama by the company to flush out potential traitors among its ranks, Delambre takes matters into his own hands, triggering a dramatic showdown.

In terms of plot and narrative, Inhuman Resources has a strong resemblance to French director Costa-Gavras' Hollywood film Mad City (1997) featuring John Travolta and Dustin Hoffman in the main roles. The five-hour long series combines elements of various other 'hostage dramas' such as John Q (2002) and Money Monster (2016) in which the hostage-takers are portrayed not as villains, but almost as desperate crusaders.

Apart from Cantona's angry past, Inhuman Resources successfully manages to plug into the prevailing anti-establishment sentiments in France over the past few years as seen in the gilets jaunes (yellow vests movement) and other working-class protests. Alan Delambre in Inhuman Resources is a product of this agitational milieu.

A working-class man who is driven to desperation by joblessness and is even ready to use a certain degree of violence has been the defining face of contemporary France.

Incidentally, another successful Netflix series, Money Heist (2020), is an attempt to represent a violent robbery as a story of a revolt of the Spanish underclass against an unjust economic system. In its attempt to give a violent action narrative an anti-capitalist spin, Money Heist exploits Italian protest song ‘Bella Ciao’ as a musical motif.

Inhuman Resources avoids the shortcuts used by the creators of Money Heist. Alan Delambre bristles with the rage and indignation of an honest person who has been persistently wronged by an unfeeling socio-economic system. For those interested in psychology, Delambre's character is a textbook study of masculinity — an example of male aggression, violence and despondency under extreme pressure — and they can even dig into Cantona's personal history.

There are other notable performers in the series: Suzanne Clement playing the protagonist's wife Nicole, and Alice De Lenquesaing as his daughter Lucie, give powerful supporting performances. Among the various characters of the series, Nicole's character is the most rounded. Married to an honest, hardworking, but a volatile man, Nicole portrays a combination of bewilderment and anger at her husband's self-destructive streak and grapples with the physical and emotional consequences of his outbursts. Clement manages to deftly capture the emotional complexity and the relational dynamics of the middle-aged couple, compensating for Cantona's raging, masculine presence, with her quiet, feminine strength.

In a way, the Delambre family’s predicament resonates with what is happening to families across the world during the COVID-19 pandemic. Social inequities have widened, amid loss of lives and livelihoods. Loss of jobs, huge cuts in salaries and wages, defaults in rents or mortgage payments have become part of the lived reality of millions across the world.  Accompanying it are various kinds of stresses and strains on familial dynamics, as well as anger towards multinational corporations and their relationship with regimes across the world.

It is ironic and somewhat coincidental that Inhuman Resources was released against this backdrop, and to satisfy the demand of captive audiences binge-watching OTT content. Amidst this despondency, audiences will undoubtedly seek catharsis in Alan Delambre's painful predicament and as well as in his effort to improve his life in the face of tumultuous developments.

Dr Indranil Bhattacharya is professor — Screen Studies and Research at FTII



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Coronavirus Outbreak: MLS players agree to salary cuts, set to play summer tournament in Orlando

The Major League Soccer Players Association voted to approve economic concessions for this season, including across-the-board salary cuts, while also agreeing to play in a proposed summer tournament in Orlando, Florida.

File image of the Banc of California Stadium. AP

File image of the Banc of California Stadium. AP

The proposal, made public by the union Sunday night, will now be sent to back to the league for approval by team owners.

“While a difficult vote in incredibly challenging times, it was taken collectively to ensure that players can return to competition as soon as they are safely able to do so,” the MLSPA said in a statement.

The MLS season was suspended 12 March because of the coronavirus pandemic. Teams had played just two games of the season.

Major League Soccer gave its teams the go-ahead Thursday to begin small voluntary group training sessions outdoors. Teams must follow a strict protocol, as well as local public health and government restrictions. Not all of the league's teams have returned to training.

Details of the Orlando tournament were still under consideration, but the league’s 26 teams and limited staff would be sheltered at hotels with games played without fans at ESPN’s Wide World of Sports Complex at Disney World.

In addition to salary cuts, the union's proposal includes reduced team and individual bonuses, as well as concessions to the existing and future terms of the collective bargaining agreement. Details were not immediately available.

MLS did not immediately comment on the proposal.

MLS first announced last month it was exploring possible “changes to player compensation” because of the financial hit the league and teams were facing with the extended suspension in play.

“We are seeking to work collaboratively with the MLSPA to find a solution that provides a safety net for all players, opportunity to earn full salary in the scenario where all matches are played with fans, and in particular provides protection for the players at the lower end of the salary scale,” the league said in a statement at the time.

MLS and the players’ union agreed to terms of a new contract in early February, but it had not been ratified when the season was put on hold.



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UFC light heavyweight champion Jon Jones vacates title amid pay dispute with president Dana White

Jon “Bones” Jones tweeted Sunday that he’s giving up his UFC title in a pay dispute.

Jon Jones had been eyeing a fight with heavyweight Francis Ngannou. Image: Twitter/@JonnyBones

Jon Jones had been eyeing a fight with heavyweight Francis Ngannou. Image: Twitter/@JonnyBones

“To the light-heavyweight title — veni, vidi, vici,” tweeted Jones, using the Latin phrase of “I came, I saw, I conquered,” attributed to Julius Caesar. Asked if was giving up his title, he tweeted “Yes.”

When one of Jones’ 2.3 million Twitter followers suggested he was hurting himself more than the UFC, Jones replied: “I hurt myself every time I walk out there and take a punch to the head and not feel my pay is worth it anymore.”

The 32-year-old Jones had been eyeing a fight with heavyweight Francis Ngannou, but said the UFC did not want to pay him enough. UFC President Dana White said the fighter wanted “crazy” money, citing demands of $15 million, $20 million and $30 million.

“He can do whatever he wants to do. He can sit out, he can fight, he can whatever,” White said Saturday night after an event in Las Vegas. “Jon Jones can say whatever he wants publicly. It’s his God-given right here in America. He can say whatever he wants. And when he’s ready to come back and fight, he can.”



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Firstpost Masterclass: Stance, speed, and solid base, Deep Dasgupta breaks down nuances of wicketkeeping

Editor's note: Professional sport is as much a scientific pursuit as it is a recreational wonder. What appears routinely mundane is a result of the hours spent honing the craft and deciphering the body mechanics till it becomes a monotonous muscle memory. In Firstpost Masterclass, our latest weekly series, we look at precisely these aspects that make sport a far more intriguing act than we know.

Deep Dasgupta grew up idolising Sunil Gavaskar, although his primary role was that of a wicketkeeper. A right-handed batsman, Deep represented India in eight Tests spread across South Africa, India and West Indies in the early 2000s before transitioning into commentary. Deep is regarded as an astute reader of the game, and has made a successful foray in online coaching on his website. Here, he breaks down the technical aspects of wicketkeeping.

How did cricket happen to you and what are your earliest memories of the game?

I am from the '83 generation; I was six when India won their first World Cup, so you know, I was old enough to comprehend what was happening around me. Then '85 happened and India won the World Championship of Cricket. Those years, everyone was talking about cricket, from family to relatives to friends, everyone was just hooked on to the game. Like any other kid, I always wanted to play cricket. I remember we were staying in Delhi then. My brother, who is nine years elder to me, was an athlete and he used to go to National Stadium for training. I was too young to be left alone at home, so I was sent along with my brother.

Back then, they had a rule that didn't allow kids under 11 or 12 years of age to enroll for cricket. The only sport I could enroll in as a six-year-old was gymnastics, so I started with that, though my heart was with cricket. After a month, I would finish my gymnastics warm-ups and run to the cricket nets and just watch children train. A few more months passed by when coach Gursharan Singh noticed me and asked me why did I just stand in a corner and watch. I explained the situation to him, and he allowed me in the nets. Since I could not be officially inducted, I used to stand and observe, and at the end of the session, Gursharan sir would give me some catching practice. Slowly, things got serious and the journey started.

Were you always keen on keeping wickets?

Something that I realised very early was that I can't bowl. What I really enjoyed the most was diving around, messing about, taking catches. I was primarily into batting when I was 7-8 years old, but I realised I was getting bored when I was not batting. Fielding at some far corner didn't excite me, so I started wicketkeeping. It made me feel more involved. I was always in the thick of things, and it appeared quite a cool thing to do.

Do you remember your Test debut? How was the experience of getting the Test cap for the first time?

Yes, I vividly remember that. Back then, there was no such tradition of handing over the Test cap. You were simply told that you were playing. My debut came as a bit of an accident as I was not supposed to play. Sameer Dighe was supposed to play that Test against South Africa in Bloemfontein, but on the morning of the match, he had back spasms. I was not due to play, so I was giving catching practice to someone, but from the corner of my eye, I could see Sameer holding his back and talking to (skipper) Sourav Ganguly. Then I saw Ganguly, all dressed in his Test whites and team sheet in his hand, going for the toss. He stopped near me and told me I was playing. That was that.

How did the feeling sink in?

Everything happened just so quickly. Ganguly told me I was playing and went for the toss. I don't remember whether we won the toss or not, but we batted first. Every player has his or her pre-game routines, so I went through mine quickly and got ready. The next thing I know, I was padding up for batting because I was due to come next after that Sachin (Tendulkar) - (Virender) Sehwag partnership. So before I could realise and let the feeling sink in, I was very much in the game. The whole feeling sunk in at the end of day's play when I returned to my hotel room.

Even my family was surprised to suddenly see me on TV because they knew I was not expected to play. I remember my elder brother telling me that I am a Test cricketer now, and that is something no one can ever take away from me. That is when it hit me. As it happens in India, playing cricket for the country is a dream for most kids growing up, and it was no different for me. To realise that dream in my early 20s was special.

Let's talk about wicketkeeping. An important part of a keeper's job is to constantly chat, either with the batsman or the fielders. What if someone is not a talkative person by nature? Does one need to develop that habit?

Not really. I won't call myself chatty or an extrovert. Look at MS Dhoni, for that matter. But then, there are some guys who are naturally chatty, such as Dinesh Karthik, or Parthiv Patel, or Rishabh Pant. With time, you realise that it (talking) is a part of the job. You are the virtual fielding captain of the team...you are a leader. So even if you are not naturally talkative, the job will make you one.

"In the last 30 odd years, not many wicketkeepers have been part of the media or broadcast," says Deep Dasgupta, one of the few 'keepers who seem to have broken the mould. Image credit: Twitter/@DeepDasgupta7

"In the last 30 odd years, not many wicketkeepers have been part of the media or broadcast," says Deep Dasgupta, one of the few 'keepers who seem to have broken the mould. Image credit: Twitter/@DeepDasgupta7

They say you don't notice a wicketkeeper unless he/she commits an error. In a way that is a nice thing to say, but do you think keepers, in general, are appreciated enough?

No, they are not. We keep saying that wicketkeeping is a thankless job, but more than that, I think the nuances of keeping are not spoken enough of. Not many people in the media try to get a wicketkeeper's viewpoint. We are used to looking at the game from a batsman or a bowler's perspective. If you look at the media in the last 30 odd years, you'll see not many wicketkeepers have been part of the media or broadcast. Things are obviously changing slowly, but as I said, not enough is spoken about or written about the nuances of wicketkeeping. We need more keepers talking about the game.

Broadly speaking, what are the key ingredients of a good wicketkeeper?

I think there are two parts to technique - negotiable and non-negotiable. Aspects like soft hands and getting up with the ball are very important. A major problem in India is there are not enough keeper-coaches. Things like getting up with the ball and soft hands are very vague points that people keep talking about, but how do you define them? There are many things that are a given, but there's not enough explanation. Look at MS Dhoni. It's a given that you must wait for the ball, but Dhoni does the exact opposite - he goes towards the ball. He is able to do that because he has got thick palms and soft hands that absorb the shock. Now, a lot of young keepers try to emulate that, but they don't understand what is needed to be done to make that happen.

One of the main non-negotiables is non-movement. I am of a firm belief that you do not need to move. The more you move, the more you are likely to err. Getting up with the ball is again a non-negotiable, as is having a good attitude. If you don't have the right mindset or attitude, keeping wickets will become really tough for you.

Are the basics of wicketkeeping same as that of batting - you ought to keep eye on the ball, have a still head, minimal movement and so on?

Absolutely. The basics are the same. For example, in batting, you can't be falling over in your stance, and it is the same in wicketkeeping. Your bodyweight must not go beyond the balls of your feet. Any further, and you'll topple over. There are slight changes of course, but the template remains the same. Likewise with movement. You don't move a lot while batting, do you? It is the same in keeping; you move only when you are required to.

Like batting, is visualisation an important part of wicketkeeping?

Yes, it is, especially when you are expected to keep to an unknown bowler on an unknown track. For example, if you are keeping to Anil Kumble and you are not sure of how much spin the track will offer, you tend to visualise the bounce and where would you be collecting balls. As a player, I visualised collecting balls more than the dismissals, because I knew the latter will happen along the way.

I would visualise edges also. The key is to try to slow down the process as much as possible and visualise the ball coming and hitting the outside edge. These are all self-talks. Till my early 20s, we had not heard of these things. Such terminology became popular only in the last decade or so. We did what we did. We just asked someone to throw balls at us and we caught.

Back then, there was not a lot of thinking about the game as compared to today. People talk a lot about batting and bowling techniques these days, but back in my growing-up years, you just did what you heard. You just got up with the ball, but I never realised what 'gets up with the ball is'. Is it your backside, your hands, head, what? Same with hard hands. What does that mean? So at that point of time, there were all kind of terms floating around and you would just follow. You would say, 'okay, I am fumbling because I have hard hands,' but we would never realise what hard hands meant and what are the ways to correct it.

So how do you actually rise with the ball? With spinners, one can understand that you can rise with the bounce. How do you rise with the ball with fast bowlers?

For pacers, I tell the kids not to sit completely. One of the non-negotiables in wicketkeeping is the power position, which is the squat position. The longer you stay in that position, the better you are. My point is, for a fast bowler, why do you really have to go all the way down? Why can't you be in that squat position which is more relaxed and less tough on your muscles?

"In my playing days, we were just told to rise with the ball, but noone told us what actually rises with the ball." Image courtesy: Twitter/@DeepDasgupta7

"In my playing days, we were just told to rise with the ball, but noone told us what actually rises with the ball." Image courtesy: Twitter/@DeepDasgupta7

If you are all the way down, you put needless stress on your knee and hip joints, and moreover, you'll have to come back to that squat position anyway, so why sit at all? I think you are just wasting energy if you are sitting and getting up to that squat position. You don't have to go down once you are up and your hands will be down anyway to take low takes. So for seamers or pacers, there is no reason why keepers should go all the way down. If you are keeping for 90 overs, the stress builds up and at the end of the day, you'll start feeling it. I still have a tight adductor, because I was always told to squat all the way down.

How important is the stance? How much further apart should the feet be and how should one balance bodyweight on the feet?

The distance between the feet should be what comes naturally to you. Everyone has a natural balance. When you are standing normally, the distance between your two feet will be different from mine. That's the distance that I'd recommend, because if you are not in that natural position, your body will automatically want to get in that position and you'll subconsciously make that foot movement to get in that position. That's why you see so many wicketkeepers making little movements with either their left foot or their right foot, because their bodies are not in a resting, comfortable position. So the distance between the feet should be same as what you'd otherwise naturally maintain in, let's say, standing and talking to someone.

Talking about balancing your weight, the bodyweight should be on the balls of the feet. By balls of the feet, I don't mean the toes. It is where the heel of your shoe is in contact with the ground but the heel itself is not that much in touch with the ground. If you close your eyes and stand with your bodyweight naturally distributed on your feet and move slightly forward, you'll realise the heel goes up just a little bit...that's that. Anything more, and you'll topple over; anything less, and your bodyweight goes back. That exact point is somewhere near the arch. The arch is your mid-point and the bodyweight is just a little further up. That's the ideal position to distribute your weight.

Let's talk about hands. You spoke about soft hands, but what if someone is fidgety by nature or doesn't have that optimal 'softness' in his/her hands? How does one attain that?

Ideally speaking, I would give such guys enough practice to help them achieve the ideal softness. It is all about the feel. You pick a bat and you like it...you are not bothered about its weight or size. Then, over a period of time, you understand that there is a pattern to what you like. Similarly, bowlers select the ball with their feel; the seam looks good, the ball feels balanced in the hand and so on. It's the same with wicketkeeping. It's like you're catching a raw egg. You are looking to caress the ball while you catch it. The idea is not to let the ball hit you with a thud. You let it come. Once you start catching it often, you get a feel for it. You start visualising, you develop a rhythm. Finding that feel and rhythm is very important.

Is there a sweet spot in the palm also? Some people catch with their fingers, some with their palm, how does that work?

Never ever catch with fingers, is what I'd suggest. Never. Catching with both hands is half and half. There definitely is a sweet spot inside the palm. It starts from the area under the little finger. It is the inside part of the palm. That's where one should look to catch the ball using both hands.

Let's look at MS Dhoni. Like you suggested, against spinners, he sometimes goes at the ball instead of waiting for it, and it has helped him effect some great stumpings. Is this trait natural or can it be cultivated over time?

I think it can be developed, for sure. The most important thing is you have to have really soft hands. At the point of impact, your hands have to be as supple as possible. MS Dhoni has thick palms, and he has got good cushioning in his palms, all of which is natural. However, you can try and achieve that suppleness and softness with a lot of practice with a tennis ball or soft ball. That's how you develop soft hands. Your hands can't be hard at the point of impact.

MS Dhoni's thick palms, soft hands and sharp reflexes help him effect unbelievable stumpings. Reuters/File

MS Dhoni's thick palms, soft hands and sharp reflexes help him effect unbelievable stumpings. Reuters/File

What about your hand position while receiving the ball? Does one collect in front of the body or beside the body, and why?

I am a firm believer in catching beside the body. It is something that I struggled with at the start of my career. You will manage on Indian tracks because the bounce here is usually below the waist and knees, but once the ball starts bouncing a little more, you'll be cramped for room. At waist height or below, your hands still have the room to go back, but you will be stuck if it bounces more. Collecting the ball beside the body is a habit you must develop, irrespective of the track you are keeping on. Also, you can follow the ball better. You can ride the bounce, ride the turn, your body can move better. Once you place your hands 'inside' the body, you are not as mobile.

How does a wicketkeeper avoid confusion with the first slip? We see a number of catches going between the keeper and the first slip. How does one avoid that?

In match situations, you just go for every catch. You can't mark a territory, because you don't have time to think. You develop these things during training, when you practice with the first and the second slips. You have to develop a rapport with the slips. You decide the distance you want, how much you can dive, and so on.

They say, for keepers, it helps to be short. Do you agree? How much does that help?

Yes, it does help. Shorter people are more agile because they have a lower centre of gravity. There's no doubt about that. But as someone who was on the taller side, I'd say the trick is to stay lower. You must have strong legs and make sure you don't get up.

What is the trick in keeping to spinners and which ones really tested you?

There are some principles that you must apply against spinners, and even against fast bowlers. Don't get behind the ball, make sure your hips get up early, your hands should get up with the ball, make sure you're not moving too much...maybe half a step on the off-side. For leg side, you should be able to decide when to move. Ideally, it should be as late as possible. These are the checkpoints that I have figured out with experience and trial and error.

Among the spinners that tested me, Anil (Kumble) and Bhajji (Harbhajan Singh) were brilliant. They tested everyone... the batsmen, the keeper, the slips. When I was keeping to them at the start of my career, I was doing just what I was taught... get up with the ball and stuff. Obviously, I was late in getting up, because I did not know what actually 'gets up with the ball was'. I was getting stuck very often as almost each ball would bounce above my waist. Over time, I worked that out, but it was obviously too late by then. My last series was in Australia, and I kept in a few side games. By that time, I had changed my keeping style. I wouldn't squat all the way down, I wouldn't move a lot.

People talk a lot about the footwork too, but I think footwork is overrated. How much do you really need to move? It is the timing of the movement that is important, but that is different from the movement itself. If you are keeping to a fast bowler, how much do you actually move? Perhaps one body length. If you start moving at the time the batsman has edged, you can't dive. You won't be in the correct position. I developed these things quite late in my career, but I tell them to kids.

A lot of wicketkeepers stand behind the wickets when they keep to pacers, and beside the stumps when they keep to spinners. Is that to judge the ball path better or something else?

The whole concept is quite simple: You have to see the path of the ball. I don't care where you stand, but you should be able to see the path of the ball for the longest time. The idea is to watch the ball whether you stand on the off-stump or outside the off-stump. You can catch the ball only after you watch it. You should look to stand in a position that negates the blind spot.

Growing up, we were told that for an off-spinner, the keeper's left foot should be on the left of off stump. But if a right-arm spinner goes round the wicket to a right-hander and your left foot is outside off, the batsman will be right in front of you and you can't spot the ball. Then you start thinking what if I go further towards the off side, but what if the bowler drops one on the leg side and I can't manage? If you're standing on the off-stump, you are not watching the ball anyway. It's better to stand outside off, even if you are not in line with the ball. As long as you watch the ball, you will gather it because that's what you are trained for. When you watch the ball, your body will instinctively follow it. If your foot doesn't go, your hands will go, and if they can't go, you'll dive, but you will catch the ball.

How important is the communication between the wicketkeeper and the bowler? Should bowlers tell the keepers if they are going to try a variation or a different line?

The communication between bowler and wicketkeeper is very important. Spinners these days bowl a lot of variations and it is very important that as a keeper, you work that out with them. Keepers, anyway are taught to pick variations from the hand. One of the first things I did after making my India debut was ask Anil and Harbhajan to bowl 12 deliveries at me in the nets at the end of each session. I'd ask them to bowl all their variations, so that I could read them from the release point. That's the reason very few wicketkeepers have problems reading googlies and variations, because we are trained to read balls from the release.

With pacers, it is the other way round. The wicketkeeper is the first person to realise that the ball is reversing, so you tell the captain and the bowler. So yes, communication is a critical part of wicketkeeping.

Do you think that the focus is shifting from wicketkeeper-batsman to batsman-wicketkeeper? Does the trend worry you?

Not really. I think the focus has always been on batting for the last 20-30 years. How does a wicketkeeper first come into the limelight? People come to know about a young, upcoming keeper only after he has scored runs. You don't publish a wicketkeeper's name in the newspaper for taking two brilliant catches. You score a ton and you get your name in papers. That's how the word spreads, and you begin watching his/her batting. That's when you realise that he/she is a good keeper as well. That's how the process is.

Did you take your batting as seriously as your wicketkeeping, and did your keeping instincts help you in your batting in any way?

Yes, absolutely. I was one of those guys who hated standing around doing nothing. That was one of the reasons why I took up wicketkeeping. If I was practising for three hours, I made sure I learned something.

As for keeping helping my batting, yes, definitely that was the case. As I said, we (wicketkeepers) are good at reading variations and swing. That's why a lot of wicketkeepers are good at opening the innings or against the new ball. If you have kept wickets for 50 overs, you know the pitch better than anyone else. You know the turn and bounce, how the pitch is behaving, and all these make things easier when you bat.

You opened in Tests for India, and a number of times after keeping wickets for long periods. Should keepers be made to or asked to open, especially in Test matches, because of the stress involved?

That's the biggest challenge - the stress of keeping wickets all day and then coming out to bat. You are talking about Test cricket where if your bat or feet are late even by split second, that would be the difference between the middle of the bat and edge of the bat. That is what makes opening extremely difficult in Tests (for wicketkeepers). Then, you are mentally drained out too.

While keeping in West Indies, you once dropped Carl Hooper and he went on to score a double hundred. We have the example of Kiran More, who dropped Graham Gooch and then went on to score a triple ton. How does one get over such instances?

It is difficult to get over, honestly. It was one of those qualities that I took a while to learn. You don't realise these things much at the domestic level, but at the international level, it is very, very difficult. But, you need to handle that. It was tough for me to take. There was a span of 6-8 months between that series in the West Indies and the one against Australia, which gave me time to sit back and relook at the entire process. That's when I thought that it is okay. Everyone drops catches, that is part of the game. One of my favourite wicketkeepers is Ian Healy. He dropped Brian Lara once and Australia lost the series. So, it happens to the best in business, and you can't brood over it forever.

Then I started preparing a checklist: Was I nervous? Were my hands stiff? Was it a physical issue or a lapse in concentration? So I started figuring out the issues and looked to address them. For example, if I dropped a catch because I was nervous, I would look to address that problem of mine. Unfortunately, I realised these things at the end of my international career.

Have wicketkeepers become more street smart these days? We see them remove their gloves when one or two runs are needed off the last ball to ensure they are ready to throw if needed.

Yes, for sure. A lot of credit for this kind of street-smartness goes to MS Dhoni. He was always unconventional. We played together in domestic cricket in East Zone, and even then, his methods were very different. The good thing is that he never tried to change them. He kept his basic technique same, and worked on the non-negotiables like soft hands, not moving much, keeping his eyes on the ball, and being very, very stable with his bodyweight. That brought results and everyone started to take note. When you see someone unorthodox and still bring results, you obviously wonder what is he doing.

What do you make of India's current wicketkeeping conundrum? MS Dhoni is not going to be there forever, and we can't seem to decide on Rishabh Pant or KL Rahul as a long-term wicketkeeper. What is your take on this?

I think KL Rahul is very good. He has all the qualities of a good keeper and that is because he has kept in age-group cricket. He has very good basics, such as soft hands, getting up with the ball and so on. He is also a very good reader of the game. He understands that if he has made a mistake, he will find a way around it. So KL Rahul looks a good choice, but you don't want to lose him as a batsman because he is a class act. So I think you ought to keep Rishabh in the mix and maybe look for one more wicketkeeper in the long run.

Any advice you'd like to give to young wicketkeepers?

I would urge all young and upcoming cricketers to have fun. It is very important to enjoy the game. Also, don't be afraid to ask questions. If someone asks you to do something, please ask why. Once you start asking questions, you will gain knowledge and you can coach yourself. By asking, you are not questioning the coach; you are merely trying to understand the basics. There are a number of non-negotiables as we discussed, but there can be your individual way to attain a particular skill. You can find your way only when you understand what is being told to you.

Click here to read other articles in this series.



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'Wounds have never healed': NBA commissioner Adam Silver address racial tensions in US following death of George Floyd

NBA commissioner Adam Silver sent a memo to the league’s staffers Sunday night to address the latest racial tensions in the country, sparked most recently by the death last week of a black man who was in handcuffs when a Minneapolis police officer pressed his knee into his neck as he pleaded that he couldn’t breathe.

NBA commissioner Adam Silver has long advocated an in-season tournament. Reuters

File image of NBA commissioner Adam Silver. Reuters

Silver’s memo, a copy of which was obtained by The Associated Press, made reference to that Minneapolis man, George Floyd — as well as Ahmaud Arbery, a 25-year-old black man chased and killed by armed white men as he jogged through a south Georgia neighborhood, and Breonna Taylor, a black emergency medical worker who was fatally shot by police serving a narcotics search warrant in Kentucky.

“Just as we are fighting a pandemic, which is impacting communities and people of color more than anyone else, we are being reminded that there are wounds in our country that have never healed,” Silver wrote in the memo.

Silver told staff in the memo that he spent the weekend watching the coverage of protests around the country, adding that he was “heartened by the many members of the NBA and WNBA family ... speaking out to demand justice, urging peaceful protest and working for meaningful change.”

He also urged league office employees to participate in what’s called the Dream In Color virtual community conversation — an internal employee resource group focused on African-Americans and the issues they face.

“This moment also requires greater introspection from those of us, including me, who may never know the full pain and fear many of our colleagues and players experience every day,” Silver wrote. “We have to reach out, listen to each other and work together to be part of the solution. And as an organization, we need to do everything in our power to make a meaningful difference. Even in this sad and difficult time, I know we can.”



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Music composer Wajid Khan dies at 42 following kidney ailments; Priyanka Chopra Vishal Dadlani tweet condolences

Singer-composer Wajid Khan of music director duo Sajid-Wajid, popular for their work on superstar Salman Khan's films, died in early hours of Monday in a city hospital due to complications arising from a kidney infection. He was 42.

Music composer Salim Merchant, who confirmed the news of Wajid's death, said the composer was hospitalised few days ago at Surana Hospital, Chembur where his condition deteriorated.

"He had multiple issues. He had a kidney issue and had a transplant a while ago. But recently he got to know about kidney infection... He was on the ventilator for the last four days, after his situation started getting worse. Kidney infection was the beginning and then he got critical," Salim told PTI.

The music composer duo made their Bollywood debut with Salman's 1998 movie Pyaar Kiya Toh Darna Kya and went on to work on actor's various films including Garv, Tere Naam, Tumko Na Bhool Payenge, Partner and the popular Dabangg franchise.

Wajid also did playback singing for Salman in chartbusters like 'Mera He Jalwa', 'Fevicol Se' and for Akshay Kumar in 'Chinta Ta Chita Chita' from the film Rowdy Rathore, among others. He recently co-composed Salman's songs 'Pyaar Karona' and 'Bhai Bhai', which the actor released on his YouTube channel.

Wajid along with his brother Sajid served as mentor on singing reality shows Sa Re Ga Ma Pa 2012 and Sa Re Ga Ma Pa Singing Superstar.

The composer duo also scored IPL 4 theme song, 'Dhoom Dhoom Dhoom Dhadaka', which was sung by Wajid.

Soon after the news of the composer's demise broke, many from the film fraternity took to Twitter to pay tributes.

Here are their tweets



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